Curious Craft of Many Lands.
“Many men, many minds,” runs the proverb. “Many nations, many ships,” is almost equally true. A nation may show its individuality in the fashion of its marine architecture as much as in any other direction—as, for instance, in its national dress, dwelling-houses, food, amusements; and an ethnologist in studying a people’s characteristics may do wisely not to overlook its ships and boats.
Even in Europe, where an advanced civilisation may be supposed to be slowly smoothing off national characteristics and peculiarities, and gradually blending and amalgamating diverse national customs, there still exists a considerable disparity in the marine architecture of different states; while between the ships of Europe and those of some parts of Asia the gulf is certainly broad enough, so that about the only point of resemblance between an English ironclad and a Chinese junk is, that both are manifestly better adapted for the sea than the land. We now propose describing some of the more curious craft peculiar to various nations, beginning with Europe:
The Dutch galliot is a somewhat peculiar craft to the eye of an Englishman; heavy and clumsy-looking beyond doubt, but a good sea-boat notwithstanding. The galliot looks much the same, whether you regard her from stem or from stern, both being almost equally rounded. Keel she has scarce any; her floors are flat, hull broad and deep, and rudder very wide. Hung on each side is a large lee-board, to keep her from making too much leeway. Her hull is varnished a bright yellow colour, and shines in the sun. Her bulwarks are lofty; and a wooden house is placed aft, where the captain and his family live, and which is always kept brightly painted. This part of the ship is a remarkably snug place, comfortably furnished, and kept with the characteristic Dutch cleanliness and neatness. Forward is the caboose of the crew, a wide, low, but roomy erection.
The galliot is rigged with square sails on her mainmast, a fore and aft main-sail, a gaff mizzen and mizzen gaff top-sails, and a high bowsprit. Her sails are sometimes white, sometimes tanned. If the reader has ever chanced to enter the port of Rotterdam, he will have encountered plenty of examples of the craft we are describing; and if he did not altogether approve or admire their shape, he must at least have been struck by their remarkable cleanness and brightness. A Dutch galliot may be fifty, eighty, or even a hundred and fifty tons burden. When the Dutch build vessels of a larger size than this, they do so on very similar lines to English merchantmen, though usually somewhat broader and bluffer.
Off the coast of Portugal we meet with many different kinds of craft, of which the trading schooners differ from almost any other kind of vessel. Broad in the beam, and short in the counter, some are rounded at the stem, some nearly square. They are decked, and are from forty to one hundred tons burden. They are peculiarly rigged, having only lower masts stepped at different angles. The gaffs of the fore-sail, as well as the main-sail, can be raised to different heights. They have fore stay-sail, jib and flying jib, gaff top-sails, and a large square sail and square top-sails. On the whole, they are ungainly-looking craft in the extreme; but they are very capable sea-boats, and make voyages as far as South America.
Mr W.H.G. Kingston gives a graphic description of a Portuguese craft which it has never been our fortune to see. He calls it the Lisbon bean-pod, from its exact resemblance to that vegetable, and affirms it to be the most curious of European craft, which we can readily believe. “Take a well-grown bean-pod,” he says, “and put it on its convex edge, and then put two little sticks, one in the centre and one at the bows, raking forward, for the masts, and another in the bows, steeving up, for the bowsprit, and another astern for a boomkin or outrigger, and then you have before you the boat in question.” These boats carry a lateen sail, sail very fast, and are much used on the waters of the Tagus as fishing-boats and trawlers.
Other curious craft to be met with in Europe are the scamparia and felucca of the Mediterranean, the Greek mystico and the trabacalo of the Adriatic. The gondola, than which, perhaps, nothing that floats on the waters is suggestive of more romantic and poetical associations, is so familiar to everybody from pictures, and has so often been introduced into story, song, and narratives of travel, that we shall not pause to describe it.
Passing from Europe to Africa, we note among the craft peculiar to that country the diabiah or Nile boat, a very comfortable travelling boat for warm climates. It is a large boat, and contains a house at one end, in which the passengers sleep at night, or take refuge from the sun’s fierce heat by day.
In Asia a great variety of vessels and boats of various shapes and sizes are met with, to describe all of which would carry us far beyond the space at our disposal. The dhow of the Arabs runs from sixty to a hundred tons, is almost entirely open, and has a sharp pointed bow, projecting for a considerable distance beyond the hull. On the high, broad stern a covered-in poop is placed, containing the quarters of the captain and passengers. The stern is usually ornamented with carving, as English vessels used to be in old days. The dhow carries but one sail, lateen-shaped, and the mast stoops forward at a sharp angle. These craft have not unfrequently been engaged in the nefarious slave traffic carried on on the east coast of Africa.
The catamaran of Madras can only be called a boat on the lucus a non lucendo principle, for it consists simply of three logs placed side by side, pointed at the bows, and kept together by two cross-pieces. Yet this rude raft does good service in its way, being the only means of communication in rough weather between vessels lying off Madras and the shore; for there are no wharves at Madras, and ships are compelled to anchor in the offing. When the sea runs so high that boats of the ordinary kind are useless, the services of the catamarans are gladly enough made use of.
The native boatmen, seated on their log rafts, and quite naked, make their way through the roughest surf to the vessels, carrying messages to and from the land. The rower propels his boat with a rather long paddle. Sometimes he is washed off his catamaran into the sea; but being an expert swimmer, he usually recovers his seat without much trouble, and it rarely happens that any of these men are drowned.
We spoke a little space back of the national characteristics of a people being traceable in its marine architecture as well as in other things, and surely this statement finds abundant illustration in the craft of the Chinese. In China we find an intensely conservative people, and their national bent is undoubtedly indicated in their ships, which in all probability have not altered in any material regard for centuries. A Chinaman would be as slow to change the shape of his junk as his shoes, or the length of his pigtail. And a strange, old-world, semi-barbarous look a Chinese junk has.
Chinese junks vary greatly in size, but all present the same type of architecture. The sails in every case are of brownish-yellow matting, swung across the mast like a main-sail, and having pieces of bamboo placed cross-wise and parallel to each other, making them look somewhat like venetian blinds. These wooden strips both strengthen the sail and facilitate its reefing when lowered.
A large Chinese junk rises high out of the water; there are two or more decks aft above the main-deck, painted and carved with various devices; and the cabins are often luxuriously furnished according to Celestial tastes. If you look at any representation of a junk, you will notice that the rudder is very broad, resembling somewhat the rudder of a canal barge. In spite of its primitive look, it has, after all, something picturesque about it; but we fancy that we would rather contemplate it in a picture than sail in one across the Atlantic.
On the deck of a junk is always to be found a josshouse or temple, in front of which the crew keep incense, sticks, and perfumed paper continually burning. When a calm overtakes an English vessel, the sailors and passengers are always supposed to try what “whistling for a wind” will effect. In lieu of this method of &ldqu............