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THE BEAUTY OF LIFE
 The beauty of life is involved very largely with the outline of its scenery. There are many other things which make up the joy of our world for us, but this is one of the most salient of its charms. The stretch of a level valley, the graceful rise of a hill, water running, a clump or a forest of trees—these add to the majesty of our being and show us how great a thing our world really is. The significance of scenes in general which hold and bind our lives for us, making them sweet or grim according to the sharpness of our perceptions, is a wonderful thing. We are passing among them every moment. A new arrangement is had with every move we make. If we but lift our eyes we see a variation which is forever interesting and forever new.
The fact significant is that every scene possesses that vital instability which is the charm of existence. It is forever changing. The waters are running, the winds blowing, the light waxing and waning, and in the very ground such currents are at work as produce and modify all the visible life and color that we know. Great forces are at work, strong ones, and our own little lives are but a shadow of something that wills activity and enjoys it, that wills beauty and is beauty. The scenes that we see are purely representative of that.
 
The Beauty of Life
But how, in the picturing of itself to itself, is the spirit171 of the universe revealed to us? Here are forces which at bottom might be supposed to be anything—grim, deadly, terrible—but on the surface how fair is their face. The trees are beautiful—you would not suppose there was anything deadly at work to create them. The water is mellifluent, sweet—you could hardly assume that it was grim in purpose or design. Every aspect of the scene reveals something pleasing which could scarcely have been the result of a cruel tendency, and yet we know that cruelty exists, or if not cruelty at least a tendency to contention—one thing striving with another and wearing it away, feeding upon it, destroying it which is productive of pain. And this element of contention represents all the cruelty there is. And this is not what is generally revealed in any scene.
Before such a picture of combined beauty and contentiousness—however graceful—............
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