The first attempt of Mr. Burney, after his recent marriage, to vary, though not to quit his professional occupations, was seeking to set to music the Ode written in the year 1769, by that most delicately perfect, perhaps, of British poets, Gray, for the installation of the Duke of Grafton as Chancellor of the University of Cambridge.
The application to the Duke for this purpose met with no opposition from his Grace; and the earnest wish of Mr. Burney was to learn, and to gratify, the taste of the exquisite poet whose verses he was musically to harmonize, with regard to the
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mode of composition that would best accord with the poet’s own lyrical ideas.
To this effect, he addressed himself both for counsel and assistance to his early friend, Mr. Mason; from whom he received a trusting and obliging, but not very comfortable answer.[36]
Not a second did Mr. Burney lose in forwarding every preparation for obviating any disgrace to his melodious muse, Terpsichore, when the poetry of the enchanting bard should come in contact with her lyre. He formed upon a large scale a well chosen band, vocal and instrumental, for the performance; and he engaged, as leader of the orchestra, the celebrated Giardini, who was the acknowledged first violinist of Europe.
But, in the midst of these preliminary measures, he was called upon, by an agent of the Duke, to draw up an estimate of the expense.
This he did, and delivered, with the cheerfulest confidence that his selection fully deserved its appointed retribution, and was elegantly appropriate to the dignity of its purpose.
Such, however, was not the opinion of the advisers of the Duke; and Mr. Burney had the astonished
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chagrin of a note to inform him, that the estimate was so extravagant that it must be reduced to at least one half.
Cruelly disappointed, and, indeed, offended, the charge of every performer being merely what was customary for professors of eminence, Mr. Burney was wholly overset. His own musical fame might be endangered, if his composition should be sung and played by such a band as would accept of terms so disadvantageous; and his sense of his reputation, whether professional or moral, always took place of his interest. He could not, therefore, hesitate to resist so humiliating a proposition; and he wrote, almost on the instant, a cold, though respectful resignation of the office of composer of the Installation Ode.
Not without extreme vexation did he take this decided measure; and he was the more annoyed, as it had been his intention to make use of so favourable an opportunity for taking his degree of Doctor of Music, at the U............