A Dangerous Eavesdropper.

However successful in his suit with Conchita, Walt Wilder is not without a rival. Hamersley has reason to suspect this soon after separating from the lovers, which he does, leaving them to themselves. It has occurred to him, that the presence of more than two on that spot can be no longer desirable. His part has been performed, and he withdraws without saying a word.

There is a third man, notwithstanding—a spectator—whose breast is stirred with terrible emotion.

As the Kentuckian passes out through the copse, he catches sight of a figure crouching behind the trunk of a tree—apparently that of a man. Twilight is now on, and beneath the leafy branches reigns an obscurity almost equalling night. What he sees may be some straying animal, or perhaps it is only fancy. His thoughts are engrossed with that which carries him on towards the house. There one will be awaiting him, in whose refined presence he will soon forget the uncouth spectacle of courtship at which he has been assisting.

But the form he has observed cowering under the shadow of the cotton-woods was no fancy, nor four-footed creature, but a human being, a man—in short, Manuel the Indian.

Manuel is mad in love with the little mestiza, who, with Spanish blood in her veins, is, nevertheless, maternally of his own race—that of the Indios mansos, or “tame Indians,” of New Mexico—so called in contradistinction to the Indios bravos, the savages who, from the conquest till this day, have never submitted themselves to Spanish rule. Though Christianised, after a fashion, by the Franciscans, with others of the missionary fathers—living in walled towns, each with its capilla or church, and cultivating the lands around, many of these so-called Christian Indians still continue to practice Pagan rites, more or less openly. In some of their villages, it is said, the estafa, or sacred fire, is kept burning, and has never been permitted to go out since the time of Montezuma, from whom and his people they believe themselves descended. They are undoubtedly of Aztec race, and sun-worshippers, as were the subjects of the unfortunate Emperor of Tenochtitlas.

Travellers who have visited their more remote “pueblos” have witnessed something of this sun-worship, seeing them ascend to the flat roofs of their singularly constructed houses, and there stand in fixed attitude, devoutly gazing at the sun as it ascends over the eastern horizon.

Notwithstanding the epithet “tame,” which their Spanish conquerors have applied to them, they are still more than half wild; and, upon occasions, the savage instinct shows itself in deeds of cruelty and blood.

This very instinct has been kindled in the heart of Manuel. It was not devotion to Don Valerian Miranda that moved him to follow the fortunes of his master into exile; his love for Conchita accounts for his presence there. And he loves her with an ardour and singleness of passion such as often burns in the breasts of his people.

The girl has given him no encouragement, rather the reverse. For all that, he has pursued her with zealous solicitation, regardless of rebuffs and apparently unconscious of her scorn.

Hitherto he has had no rival, which has hindered him from despairing. Conchita is still young, in her earliest teens, having just turned twelve. But even at this age a New Mexican maiden is deemed old enough for matrimony; and Manuel, to do justice to him, has eyes upon her with this honest intent. For months he had made up his mind to have her for his wife—long before their forced flight into the Llano Estacado. And now that they are in the desert, with no competitor near—for Chico does not count as one—he has fancied the time come for the consummation of his hopes.

But just when the fair fruit seems ripe for plucking, like the fox in the fable, he discovers it is beyond his reach. What is worse still, another, taller than he, and who can reach higher, is likely to gather it.

Ever since the arrival of Walt Wilder in the valley he has been watching the movements of the latter.

Not without observing that between the great Texan hunter and the little Mexican muchacha there has sprung up an attachment of a suspicious nature.

He has not heard them express it in speech, for in this way they cannot communicate with one another; but certain looks and gestures exchanged, unintelligible to others, have been easily interpreted by the Indian as the signs of a secret and mutual understanding between them.

They have driven the poor peon well nigh distracted with jealousy—felt all the keener from its being his first experience of it, all the angrier from consciousness of his own honest love—while he believes that of the intruder to have a different intent.

As the days and hours pass he observes new incidents to sharpen his suspicions and strengthen his jealous ire.

In fine, he arrives at the conclusion that Conchita—long loved by him, long vainly solicited—has surrendered her heart to the gigantic Texan, who like a sinister shadow, a ghoul, a very ogre, has chanced across the sunlight of his path.

Under the circumstances, what is he to do? He is powerful in passion, but weak in physical strength. Compared with his rival, he is nought. In a conflict the Texan would crush him, squeeze the breath out of his body, as a grizzly bear would that of a prairie squirrel or ground gopher.

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