We wait with particular interest to hear what Philadelphia will have to say about the passing of Horace Traubel. Traubel was the official echo of the Great Voice of Camden, and in his obituary one may discern the vivacity of the Whitman tradition. This is a matter of no small concern to the curators of the Whitman cult. The soul of Philadelphia cannot be kept alive by conventions and statistics alone. Such men as Traubel have helped.  
p160
There are two kinds of rebels. By their neckties you may know them. Walt Whitman was of the kind that wears no necktie at all. Then there is the lesser sort, of which Traubel was one—the rebel who wears a flowing black bow tie with long trailers. Elbert Hubbard wore one of these. It is a mild rebellion of which this is symbol. It often goes with shell spectacles.
 
We never knew Horace Traubel, though he was the man we most wanted to meet when we came to[Pg 161] Philadelphia. We have heard men of all conditions speak of him with affection and respect. He was dedicated from boyhood to the Whitman cause. From Walt himself he caught the habit of talking about Walt, and he carried it on with as much gusto and happiness as Walt did. Only recently he said in his little magazine The Conservator:
 
When I was quite small I used to want to be a great man. But in my observations of the old man's better than great way of meeting the gifts as well as the reverses of fate I didn't want to be a great man. I only wanted to stay unannexed to any institution as he was. No college ever decorated him. For the best of reasons. No college could. He could decorate them.
 
So Traubel remained unannexed. He was fired f............