ONE of the men produced his note book and began taking down in shorthand the rapid utterances of the chief, repeating it so as to check the accuracy as he went on: “Easy to see the marks; the floor is deep in dust, and the walls are thick with it. On floor, mark of several feet—confused in struggle, may articulate separately later on—one woman’s—also trailing of long skirt. On walls marks of hands, fingers outspread, as if trying to grasp. Some of the long marks down the wall others across.” The speaker here raised his lamp and held it in the opening as far as his arm would go; then he went on:
“Steps wind downwards to right. Struggle seems to have stopped. Footmarks more clear.”... Then the chief turned to us:
“I think gentlemen, we may follow in now. The footmarks may be discriminated and identified later. We must chance destroying them, or we cannot pass in this narrow passage.” Here I spoke; a thought had been surging up in my brain ever since the detective had pointed out the finger marks on the wall “down and across”:
“Stop a moment please! Let me see the marks on the wall before any one enters; the passage is narrow and they may be rubbed off.” A glance was enough, just time enough to formulate which was the symbol of[365] “a” and which of “b.” The perpendicular strokes were “a” and the horizontal “b.” Marjory had kept her head, even at this trying time, and was leaving a message for me as she was forced along. I understood why the struggle had ceased. Seized and forced through the narrow doorway, she had at first struggled hard. Then, when she realised that she could leave a clue behind her, she had evidently agreed to go quietly; for so she might have her hands free. It would be a hard job to carry or force along an unwilling captive through that narrow uneven passage; doubtless the captors were as willing as she was that she should go quietly. I said to the detectives:
“These marks on the wall are in a cipher which I can read. Give me the best lamp we have, and let me go first.”
So, in an orderly procession, leaving two men in the library with Mrs. Jack to guard the entrance, we passed into the secret passage. As I read off the words written on the wall, the man with the note-book took them down, his companion holding a candle so as to enable him to do so. How my heart beat as I read my dear girl’s message, marked on the wall on the inner side whichever way the curves ran. Obviously it would create less attention by guiding herself in this wise as she passed. She had kept her hand well down so that her signs should not be confused with the marks made by the men who, guiding themselves likewise, had held their hands at a natural height. Her sign marks ran continuously, even after we had passed into the passage between the chapel and the monument; the writing ran as follows:
“Four men came in—two waiting in passage through bookcase—late—striking one—struggled—then quiet—hands free—same voice we heard in Chapel. Feathers thin voice, small man, dark—all masked—Whisky Tommy[366] hoarse voice, big man, sandy, large hands—Dago, deep voice, swarthy, little finger missing left hand—Max, silent, nods for speech, think dumb—two others on ahead too far see, hear.”
In a pause I heard the chief detective murmur:
“That girl’s a peach. We’ll get her yet!” The spot at which we were pausing was where the way to the reservoir branched off. Here Marjory probably stood with her back to the wall and used her hands behind her back, for the strokes were smaller and more uneven. There were faults which put me out and I could only read a few words—“whispering”—“only word can hear ‘manse.’” There was evidently some conversation going on between her captors, and she was making use of her opportunities. Then we went on and found the signs renewed. It cut me to the heart when I saw a smear of blood on one of the marks; the rough uncertain movement and the sharp edges of the rock had told on her delicate skin. But later on, the blood marks were continued, and I could not but think that she had cut her fingers on purpose to make a more apparent clue. When I mentioned my surmise to the detective, his instinct having been trained in such matters, showed a keener insight than my own:
“More likely she is preparing to leave a mark which we can see when they get her out of the tunnel. They may not suspect intention if her fingers are bleeding already!” The words following the stop where I had read “manse” were:
“Boat ready—Seagull—Coffin—Hearse—bury isl—” Here the next mark instead of being horizontal took a sudden angle down, and the blood was roughly rubbed off. It was as though her hand had been struck in the act of making the mark. Her captors had suspected her. There were no more marks on the wall. I could[367] not imagine, however, that Marjory would be entirely baffled. She had infinite resource, and would doubtless find some other means of leaving a clue. Telling the others therefore to keep back I threw the rays of the lamp over roof and walls and floor as we proceeded.
It was a strange scene. The candles and lamp showing up but patches of light in the inky black darkness; the moving figures projected against the lights as I looked back; the silence broken by the shuffling tread of stumbling feet on the rock floor; the eager intense faces, when a change in the light flashed them into view. It all moved me at moments, for there was a gleam of hope in its earnestness.
I tried to put myself in Marjory’s position. If her hands were useless, as they would be if she could not use them without suspicion—even were they not tied now as was probable—her next effort would be with her feet; I therefore looked out carefully for any sign made this way. Presently I came across a mark which I suspected. It was only a few steps beyond the last mark on the wall. It was a sort of drag of the foot, where there was any slight accumulation of dust, or rubbish, or sand. There were more such traces ahead. So motioning to the others to keep back, I followed them up, taking care not to disturb any of them. They were but the rough marks made during a stumbling progress; and for a time I was baffled; though I could distinguish the traces of Marjory’s little feet amongst the great ones. Then I went back and looked at them afresh from the beginning, and a light burst upon me. They were made with the right or left foot as required; thus she could reproduce the bi-literal symbol. Interpretation was now easy enough, and hence on, to the exit from the tunnel, I could tell almost every word written. There being only[368] a few cases where the sign was not sufficiently marked for me to read it.
“Suspicious. Hands tied—gagged—find Seagull—find Manse.”
It was sadly slow work, and my heart at times sank within me at the exasperating delay in our progress. However, it was progress after all; and that sustained us. All along, as we worked our way towards the monument, I had been thinking of the word “manse;” and now its repetition showed its importance. It would be necessary that the abductors have some place in which to conceal their captive, before they should be able to get her out of the country. That this latter would be a necessary step towards their object was manifest; but the word Seagull settled it.
When we got to the entrance of the tunnel we examined every inch of the way; this was the wish of the detective rather than my own. Marjory would, it seemed to me, go quietly through the entrance. She would know that she was being watched here with extra carefulness; and would reserve herself for a less suspicious opportunity. She would also know that if I were on her track at all, I would be able to follow through the secret entrance.
Outside, on the ground beside the monument, were no unusual signs of passage. The patch of bare earth and gravel, which we had before noticed, left no trace o............