By Wells Hastings (1878- )  
[From The Century Magazine, April, 1914; copyright, 1914, by The Century Co.; republished by the author's permission.]
 
"An' de next' frawg dat houn' pup seen, he pass him by wide."
 
The house, which had hung upon every word, roared with laughter, and shook with a storming volley of applause. Gideon bowed to right and to left, low, grinning, assured comedy obeisances; but as the laughter and applause grew he shook his head, and signaled quietly for the drop. He had answered many encores, and he was an instinctive artist. It was part of the fuel of his vanity that his audience had never yet had enough of him. Dramatic judgment, as well as dramatic sense of delivery, was native to him, qualities which the shrewd Felix Stuhk, his manager and exultant discoverer, recognized and wisely trusted in. Off stage Gideon was watched over like a child and a delicate investment, but once behind the footlights he was allowed to go his own triumphant gait.
 
It was small wonder that Stuhk deemed himself one of the cleverest managers in the business; that his narrow, blue-shaven face was continually chiseled in smiles of complacent self-congratulation. He was rapidly becoming rich, and there were bright prospects of even greater triumphs, with proportionately greater reward. He had made Gideon a national character, a headliner, a star of the first magnitude in the firmament of the vaudeville theater, and all in six short months. Or, at any rate, he had helped to make him all this; he had booked him well and given him his opportunity. To be sure, Gideon had done the rest; Stuhk was as ready as any one to do credit to Gideon's ability. Still, after all, he, Stuhk, was the discoverer, the theatrical Columbus who had had the courage and the vision.
 
A now-hallowed attack of tonsilitis had driven him to Florida, where presently Gideon had been employed to beguile his convalescence, and guide him over the intricate shallows of that long lagoon known as the Indian River in search of various fish. On days when fish had been reluctant Gideon had been lured into conversation, and gradually into narrative and the relation of what had appeared to Gideon as humorous and entertaining; and finally Felix, the vague idea growing big within him, had one day persuaded his boatman to dance upon the boards of a long pier where they had made fast for lunch. There, with all the sudden glory of crystallization, the vague idea took definite form and became the great inspiration of Stuhk's career.
 
Gideon had grown to be to vaudeville much what Uncle Remus is to literature: there was virtue in his very simplicity. His artistry itself was native and natural. He loved a good story, and he told it from his own sense of the gleeful morsel upon his tongue as no training could have made him. He always enjoyed his story and himself in the telling. Tales never lost their savor, no matter how often repeated; age was powerless to dim the humor of the thing, and as he had shouted and gurgled and laughed over the fun of things when all alone, or holding forth among the men and women and little children of his color, so he shouted and gurgled and broke from sonorous chuckles to musical, falsetto mirth when he fronted the sweeping tiers of faces across the intoxicating glare of the footlights. He had that rare power of transmitting something of his own enjoyments. When Gideon was on the stage, Stuhk used to enjoy peeping out at the intent, smiling faces of the audience, where men and women and children, hardened theater-goers and folk fresh from the country, sat with moving lips and faces lit with an eager interest and sympathy for the black man strutting in loose-footed vivacity before them.
 
"He's simply unique," he boasted to wondering local managers—"unique, and it took me to find him. There he was, a little black gold-mine, and all of 'em passed him by until I came. Some eye? What? I guess you'll admit you have to hand it some to your Uncle Felix. If that coon's health holds out, we'll have all the money there is in the mint."
 
That was Felix's real anxiety—"If his health holds out." Gideon's health was watched over as if he had been an ailing prince. His bubbling vivacity was the foundation upon which his charm and his success were built. Stuhk became a sort of vicarious neurotic, eternally searching for symptoms in his protégé; Gideon's tongue, Gideon's liver, Gideon's heart were matters to him of an unfailing and anxious interest. And of late—of course it might be imagination —Gideon had shown a little physical falling off. He ate a bit less, he had begun to move in a restless way, and, worst of all, he laughed less frequently.
 
As a matter of fact, there was ground for Stuhk's apprehension. It was not all a matter of managerial imagination: Gideon was less himself. Physically there was nothing the matter with him; he could have passed his rigid insurance scrutiny as easily as he had done months before, when his life and health had been insured for a sum that made good copy for his press-agent. He was sound in every organ, but there was something lacking in general tone. Gideon felt it himself, and was certain that a "misery," that embracing indisposition of his race, was creeping upon him. He had been fed well, too well; he was growing rich, too rich; he had all the praise, all the flattery that his enormous appetite for approval desired, and too much of it. White men sought him out and made much of him; white women talked to him about his career; and wherever he went, women of color—black girls, brown girls, yellow girls—wrote him of their admiration, whispered, when he would listen, of their passion and hero-worship. "City niggers" bowed down before him; the high gallery was always packed with them. Musk-scented notes scrawled upon barbaric, "high-toned" stationery poured in upon him. Even a few white women, to his horror and embarrassment, had written him of love, letters which he straightway destroyed. His sense of his position was strong in him; he was proud of it. There might be "folks outer their haids," but he had the sense to remember. For months he had lived in a heaven of gratified vanity, but at last his appetite had begun to falter. He was sated; his soul longed to wipe a spiritual mouth on the back of a spiritual hand, and have done. His face, now that the curtain was down and he was leaving the stage, was doleful, almost sullen.
 
Stuhk met him anxiously in the wings, and walked with him to his dressing-room. He felt suddenly very weary of Stuhk.
 
"Nothing the matter, Gideon, is there? Not feeling sick or anything?"
 
"No, Misteh Stuhk; no, seh. Jes don' feel extry pert, that's all."
 
"But what is it—anything bothering you?"
 
Gideon sat gloomily before his mirror.
 
"Misteh Stuhk," he said at last, "I been steddyin' it oveh, and I about come to the delusion that I needs a good po'k-chop. Seems foolish, I know, but it do' seem as if a good po'k-chop, fried jes right, would he'p consid'able to disumpate this misery feelin' that's crawlin' and creepin' round my sperit."
 
Stuhk laughed.
 
"Pork-chop, eh? Is that the best you can think of? I know what you mean, though. I've thought for some time that you were getting a little overtrained. What you need is—let me see—yes, a nice bottle of wine. That's the ticket; it will ease things up and won't do you any harm. I'll go, with you. Ever had any champagne, Gideon?"
 
Gideon struggled for politeness.
 
"Yes, seh, I's had champagne, and it's a nice kind of lickeh sho enough; but, Misteh Stuhk, seh, I don' want any of them high-tone drinks to-night, an' ef yo' don' mind, I'd rather amble off 'lone, or mebbe eat that po'k-chop with some otheh cullud man, ef I kin fin' one that ain' one of them no-'count Carolina niggers. Do you s'pose yo' could let me have a little money to-night, Misteh Stuhk?"
 
Stuhk thought rapidly. Gideon had certainly worked hard, and he was not dissipated. If he wanted to roam the town by himself, there was no harm in it. The sullenness still showed in the black face; Heaven knew what he might do if he suddenly began to balk. Stuhk thought it wise to consent gracefully.
 
"Good!" he said. "Fly to it. How much do you want? A hundred?"
 
"How much is coming to me?"
 
"About a thousand, Gideon."
 
"Well, I'd moughty like five hun'red of it, ef that's 'greeable to yo'."
 
Felix whistled.
 
"Five hundred? Pork-chops must be coming high. You don't want to carry all that money around, do you?"
 
Gideon did not answer; he looked very gloomy.
 
Stuhk hastened to cheer him.
 
"Of course you can have anything you want. Wait a minute, and I will get it for you.
 
"I'll bet that coon's going to buy himself a ring or something," he reflected as he went in search of the local manager and Gideon's money.
 
But Stuhk was wrong. Gideon had no intention of buying himself a ring. For the matter of that, he had several that were amply satisfactory. They had size and sparkle and luster, all the diamond brilliance that rings need to have; and for none of them had he paid much over five dollars. He was amply supplied with jewelry in which he felt perfect satisfaction. His present want was positive, if nebulous; he desired a fortune in his pocket, bulky, tangible evidence of his miraculous success. Ever since Stuhk had found him, life had had an unreal quality for him. His Monte Cristo wealth was too much like a fabulous, dream-found treasure, money that could not be spent without danger of awakening. And he had dropped into the habit of storing it about him, so that in any pocket into which he plunged his hand he might find a roll of crisp evidence of reality. He liked his bills to be of all denominations, and some so large as exquisitely to stagger imagination, others charming by their number and crispness—the dignified, orange paper of a man of assured position and wealth-crackling greenbacks the design of which tinged the whole with actuality. He was specially partial to engravings of President Lincoln, the particular savior and patron of his race. This five hundred dollars he was adding to an unreckoned sum of about two thousand, merely as extra fortification against a growing sense of gloom. He wished to brace his flagging spirits with the gay wine of possession, and he was glad, when the money came, that it was in an elastic-bound roll, so bulky that it was pleasantly uncomfortable in his pocket as he left his manager.
 
As he turned into the brilliantly lighted street from the somber alleyway of the stage entrance, he paused for a moment to glance at his own name, in three-foot letters of red, before the doors of the theater. He could read, and the large block type always pleased him. "THIS WEEK: GIDEON." That was all. None of the fulsome praise, the superlative, necessary definition given to lesser performers. He had been, he remembered, "GIDEON, America's Foremost Native Comedian," a title that was at once boast and challenge. That necessity was now past, for he was a national character; any explanatory qualification would have been an insult to the public intelligence. To the world he was just "Gideon"; that was enough. It gave him pleasure, as he sauntered along, to see the announcement repeated on window cards and hoardings.
 
Presently he came to a window before which he paused in delighted wonder. It was not a large window; to the casual eye of the passer-by there was little to draw attention. By day it lighted the fractional floor space of a little stationer, who supplemented a slim business by a sub-agency for railroad and steamship lines; but to-night this window seemed the framework of a marvel of coincidence. On the broad, dusty sill inside were propped two cards: the one on the left was his own red-lettered announcement for the week; the one at the right—oh, world of wonders!—was a photogravure of that exact stretch of the inner coast of Florida which Gideon knew best, which was home.
 
There it was, the Indian River, rippling idly in full sunlight, palmettos leaning over the water, palmettos standing as irregular sentries along the low, reeflike island which stretched away out of the picture. There was the gigantic, lonely pine he knew well, and, yes—he could just make it out—there was his own ramshackle little pier, which stretched in undulating fashion, like a long-legged, wading caterpillar, from the abrupt shore-line of eroded coquina into deep water.
 
He thought at first that this picture of his home was some new and delicate device put forth by his press-agent. His name on one side of a window, his birthplace upon the other—what could be more tastefully appropriate? Therefore, as he spelled out the reading-matter beneath the photogravure, he was sharply disappointed. It read:
 
      Spend this winter in balmy Florida.
    Come to the Land of Perpetual Sunshine.
Golf, tennis, driving, shooting, boating, fishing, all of the best.
There was more, but he had no heart for it; he was disappointed and puzzled. This picture had, after all, nothing to do with him. It was a chance, and yet, what a strange chance! It troubled and upset him. His black, round-featured face took on deep wrinkles of perplexity. The "misery" which had hung darkly on his horizon for weeks engulfed him without warning. But in the very bitterness of his melancholy he knew at last his disease. It was not champagne or recreation that he needed, not even a "po'k-chop," although his desire for it had been a symptom, a groping for a too homeopathic remedy: he was homesick.
 
Easy, childish tears came into his eyes, and ran over his shining cheeks. He shivered forlornly with a sudden sense of cold, and absently clutched at the lapels of his gorgeous, fur-lined ulster.
 
Then in abrupt reaction he laughed aloud, so that the shrill, musical falsetto startled the passers-by, and in another moment a little semicircle of the curious watched spellbound as a black man, exquisitely appareled, danced in wild, loose grace before the dull background of a somewhat grimy and apparently vacant window. A newsboy recognized him.
 
He heard his name being passed from mouth to mouth, and came partly to his senses. He stopped dancing, and grinned at them.
 
"Say, you are Gideon, ain't you?" his discoverer demanded, with a sort of reverent audacity.
 
"Yaas, seh," said Gideon; "that's me. Yo' shu got it right." He broke into a joyous peal of laughter—the laughter that had made him famous, and bowed deeply before him. "Gideon—posi-tive-ly his las' puffawmunce." Turning, he dashed for a passing trolley, and, still laughing, swung aboard.
 
He was naturally honest. In a land of easy morality his friends had accounted him something of a paragon; nor had Stuhk ever had anything but praise for him. But now he crushed aside the ethics of his intent without a single troubled thought. Running away has always been inherent in the negro. He gave one regretful thought to the gorgeous wardrobe he was leaving behind him; but he dared not return for it. Stuhk might have taken it into his head to go back to their rooms. He must content himself with the reflection that he was at that moment wearing his best.
 
The trolley seemed too slow for him, and, as always happened nowadays, he was recognized; he heard his name whispered, and was aware of the admiring glances of the curious. Even popularity had its drawbacks. He got down in front of a big hotel and chose a taxicab from the waiting rank, exhorting the driver to make his best speed to the station. Leaning back in the soft depths of the cab, he savored his independence, cheered already by the swaying, lurching speed. At the station he tipped the driver in lordly fashion, very much pleased with himself and anxious to give pleasure. Only the sternest prudence and an unconquerable awe of uniform had kept him from tossing bills to the various traffic policemen who had seemed to smile upon his hurry.
 
No through train left for hours; but after the first disappointment of momentary check, he decided that he was more pleased than otherwise. It would save embarrassment. He was going South, where his color would be more considered than his reputation, and on the little local he chose there was a "Jim Crow" car—one, that is, specially set aside for those of his race. That it proved crowded and full of smoke did not trouble him at all, nor did the admiring pleasantries which the splendor of his apparel immediately called forth. No one knew him; indeed, he was naturally enough mistaken for a prosperous gambler, a not unflattering supposition. In the yard, after the train pulled out, he saw his private car under a glaring arc light, and grinned to see it left behind.
 
He spent the night pleasantly in a noisy game of high-low-jack, and the next morning slept more soundly than he had slept for weeks, hunched upon a wooden bench in the boxlike station of a North Carolina junction. The express would have brought him to Jacksonville in twenty-four hours; the journey, as he took it, boarding any local that happened to be going south, and leaving it for meals or sometimes for sleep or often as the whim possessed him, filled five happy days. There he took a night train, and dozed from Jacksonville until a little north of New Smyrna.
 
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