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CHAPTER XXX. AN HISTORICAL OMELETTE—THE PILGRIMS AND THE SHRINE.
To awake on a hill-top at sea. This was what morning brought.

Crowd this hill with houses plastered to the sides of rocks, with great walls girdling it, with tiny gardens lodged in crevices, and with a forest tumbling seaward. Let this hill yield you a town in which to walk, with a street of many-storied houses; with other promenades along ramparts as broad as church aisles; with dungeons, cloisters, halls, guard-rooms, abbatial gateways, and a cathedral whose flying buttresses seemed to spring from mid-air and to end in a cloud—such was the world into which we awoke on the heights of Mont St. Michel.

The verdict of the shore on the hill had been a just one; this world on a rock was a world apart. This hill in the sea had a detached air—as if, though French, at heart a true Gaul, it had had from the beginning of things a life of adventure peculiar to itself. The shore, at best, had been only a foster-mother; the hill was the true child of the sea. Since its birth it has had a more or less enforced separateness, in experience, from the country to which it belonged. Whether temple or fortress, whether forest-clad in virginal fierceness of aspect, or subdued into beauty by the touch of man\'s chisel, its destiny has ever been the same—to suffice unto itself—to be, in a word, a world in miniature.

The Mont proved by its appearance its history in adventure; it had the grim, grave, battered look that comes only to features, whether of rock or of more plastic human mould—that have been carved by the rough handling of experience.

It is the common habit of hills and mountains, as we all know, to turn disdainful as they grow skyward; they only too eagerly drop, one by one, the things by which man has marked the earth for his own. To stand on a mountain top and to go down to your grave are alike, at least in this—that you have left everything, except yourself, behind you. But it is both the charm and the triumph of Mont St. Michel, that it carries so much of man\'s handiwork up into the blue fields of air; this achievement alone would mark it as unique among hills. It appears as if for once man and nature had agreed to work in concert to produce a masterpiece in stone. The hill and the architectural beauties it carries aloft, are like a taunt flung out to sea and to the upper heights of air; for centuries they appear to have been crying aloud, "See what we can do, against your tempests and your futile tides—when we try."

On that particular morning, the taunt seemed more like an epithalamium—such marriage-lines did sea and sky appear to be reading over the glistening face of the rock. June had pitched its tent of blue across the seas; all the world was blue, except where the sun smote it into gold. To eyes in love with beauty, what a world at one\'s feet! Beneath that azure roof, toward the west, was the world of water, curling, dimpling, like some human thing charged with the conscious joy of dancing in the sun. Shoreward, the more stable earth was in the Moslem\'s ideal posture—that of perpetual prostration. The Brittany coast was a long, flat, green band; the rocks of Cancale were brown, but scarcely higher in point of elevation than the sand-hills; the Normandy forests and orchards were rippling lines that focussed into the spiral of the Avranches cathedral spires: floating between the two blues, hung the aerial shapes of the Chaunsey and the Channel Islands; and nearer, along the coast-line, were the fringing edges of the shore, broken with shoals and shallows—earth\'s fingers, as it were, touching the sea—playing, as Coleridge\'s Abyssinian maid fingered the dulcimer, that music that haunts the poet\'s ear.

We were seated at the little iron tables, on the terrace. We were sipping our morning coffee, beneath the plane-trees. The terrace, a foot beyond our coffee-cups, instantly began its true career as a precipice. We, ourselves, seemed to have begun as suddenly our own flight heavenward—on such astonishing terms of intimacy were we with the sky. The clapping close to our ears of large-winged birds; the swirling of the circling sea-gulls; the amazing nearness of the cloud drapery—all this gave us the sense of being in a new world, and of its being a strangely pleasant one.

Suddenly a cock\'s crow, shrill and clear, made us start from the luxurious languor of our contentment; for we had scarcely looked to find poultry on this Hill of Surprises. Turning in the direction of the homely, familiar note, we beheld a garden. In this garden walked the cock—a two-legged gentleman of gorgeous plumage. If abroad for purely constitutional purposes, the crowing chanticleer must be forced to pass the same objects many times in review. Of all infinitesimal, microscopic gardens, this one, surely, was a model in minuteness. Yet it was an entirely self-respecting little garden. It was not much larger than a generous-sized pocket handkerchief; yet how much talent—for growing—may be hidden in a yard of soil—if the soil have the right virtue in it. Here were two rocks forming, with a fringe of cliff, a triangle; in that tri-cornered bit of earth a lively crop of growing vegetables was offering flattering signs of promise to the owner\'s eye. Where all land runs aslant, as all land does on this Mont, not an inch was to be wasted; up the rocks peach and pear-split trees were made to climb—and why should they not, since everything else—since man himself must climb from the moment he touches the base of the hill?

Following the cock\'s call, came the droning sweetness of bees; the rose and the honeysuckle vines were loading the morning air with the perfume of their invitations. Then a human voice drowned the bees\' whirring, and a face as fresh and as smiling as the day stood beside us. It was the voice and the face of Madame Poulard, on the round of her morning inspections. Our table and the radiant world at her feet were included in this, her line of observations.

"Ah, mesdames, comme vous savez bien vous placer!—how admirably you understand how to place yourselves! Under such a sky as this—before such a spectacle—one should be in the front row, as at a theatre!"

And that was the beginning of our deeds finding favor in the eyes of
Madame Poulard.

It was our happy fate to drink many a morning cup of coffee at those little iron tables; to have many a prolonged chat with the charming landlady of the famous inn; to become as familiar with the glories and splendors of the historical hill as with the habits and customs of the world that came up to view them.

For here our journey was to end.

The comedy of life, as it had played itself out in Normandy inns, was here, in this Inn on a Rock, to give us a series of farewell performances. On no other stage, we were agreed, could the versatile French character have had as admirable and picturesque a setting; and surely, on no other bit of French soil could such an astonishing and amazing variety of types be assembled for a final appearance, as came up, day after day, to make the tour of the Mont.

To the shore, and for the whole of the near-lying Breton and Norman rustic world, the Mont is still the Hill of Delight. It is their Alp, their shrine, the tenth wonder of the world, a prison, a palace, and a temple still. In spite of Parisian changes in religious fashions, the blouse is still devout; for curiosity is the true religion of the provincial, and all love of adventure did not die out with the Crusades.

Therefore it is that rustic France along this coast still makes pilgrimages to the shrine of the Archangel St. Michael. No marriage is rightly arranged which does not include a wedding-journey across the grève; no nuptial breakfast is aureoled with the true halo of romance which is eaten elsewhere than on these heights in mid-air. The young come to drink deep of wonders; the old, to refresh the depleted fountains of memory; and the tourist, behold, he is as a plague of locusts let loose upon the defenceless hill!

After a fortnight\'s sojourn, Charm and I held many a grave consultation; close observation of this world that climbed the heights had bred certain strange misgivings. What was it this world of sight-seers came up to the Mont for to see? Was it to behold the great glories thereof, or was it, oh, human eye of man! to look on the face of a charming woman I It was impossible, after sojourning a certain time upon the hill, not to concede that there were two equally strong centres of attractions, that drew the world hither-ward. One remained, indeed, gravely suspended between the doubt and the fear, as to which of these potential units had the greater pull, in point of actual attraction. The impartial historian, given to a just weighing of evidence, would have been startled to find how invariably the scales tipped; how lightly an historical Mont, born of a miracle, crowned by the noblest buildings, a pious Mecca for saints and kings innumerable, shot up like feathers in lightness when over-weighted by the modern realities of a perfectly appointed inn, the cooking and eating of an omelette of omelettes, and the all-conquering charms of Madame Poulard. The fog of doubt thickened as, day after day, the same scenes were enacted; when one beheld all sorts and conditions of men similarly affected; when, again and again, the potentiality in the human magnet was proved true. Doubt turned to conviction, at the last, that the holy shrine of St. Michael had, in truth, been, violated; that the Mont had been desecrated; that the latter exists now solely as a setting for a pearl of an inn; and that within the shrine—it is Madame Poulard herself who fills the niche!

The pilgrims come from darkest Africa and the sunlit Yosemite, but they remain to pray at the Inn of the Omelette. Yonder, on the grèves, as we ourselves had proved, one crosses the far seas and one is wet to the skin, only to hear the praises sung of madame\'s skill in the handling of eggs in a pan; it is for this the lean guide strides before the pilgrim tourist, and that he dippeth his trident in the waters. At the great gates of the fortifications the pilgrim descends, and behold, a howling chorus of serving-people take up the chant of: "Chez Madame Poulard, à gauche, à la renommée de l\'omelette!" The inner walls of the town lend themselves to their last and best estate, that of proclaiming the glory of "L\'Omelette." Placards, rich in indicative illustrations of hands all forefingers, point, with a directness never vouchsafed the sinner eager to find the way to right and duty, to the inn of "L\'Incomparable, la Fameuse Omelette!" The pilgrims meekly descend at that shrine. They bow low to the worker of the modern miracle; they pass with eager, trembling foot, into the inner sanctorum, to the kitchen, where the presiding deity receives them with the grace of a queen and the simplicity of a saint.

Life on the Mont, as we soon found, resolved itself into this—into so arranging one\'s day as to be on hand for the great, the eventful hour. In point of fact there were two such hours in the Mont St. Michel day. There was the hour of the cooking of the omelette. There was always the other really more tragic hour, of the coming across the dike, of the huge lumbering omnibuses. For you see, that although one may be beautiful enough to compete successfully against dead-and-gone saints, against worn out miracles, and wonders in stone, human nature, when it is alive, is human nature still. It is the curse of success, the world over, to arouse jealousy; and we all have lived long enough to know that jealousy\'s evil-browed offspring are named Hate and Competition. Up yonder, beyond the Porte du Roi, rivalry has set up a counter-shrine, with a competing saint, with all the hateful accessories of a pretty face, a younger figure, and a graceful if less skilled aptitude in the making of omelettes in public.

The hour of the coming in of the coaches, was, therefore, a tragic hour.

On the arrival of the coaches Madame was at her post long before the pilgrims came up to her door. Being entirely without personal vanity—since she felt her beauty, her cleverness, her grace, and her charm to be only a part of the capital of the inn trade—a higher order of the stock in trade, as it were—she made it a point to look handsomer on the arrival of coaches than at any other time. Her cheeks were certain to be rosier; her bird\'s head was always carried a trifle more takingly, perched coquettishly sideways, that the caressing smile of welcome might be the more personal; and as the woman of business, lining the saint, so to speak, was also present, into the deep pockets of the blue-checked apron, the calculating fingers were thrust, that the quick counting of the incoming guests might not be made too obvious an action. After such a pose, to see a pilgrim escape! To see him pass by, unmoved by that smile, turning his feelingless back on the true shrine! It was enough to melt the stoutest heart. Madame\'s welcome of the captured, after such an affront, was set in the minor key; and her smile was the smile of a suffering angel.

"Cours, mon enfant, run, see if he descends or if he pushes on; tell him I am Madame Poulard!" This, a low command murmured between a hundred orders, still in the minor key, would be purred to Clémentine, a peasant in a cap, exceeding fleet of foot, and skilled in the capture of wandering sheep.

And Clémentine would follow that stray pilgrim: she would attack him in the open street; would even climb after him, if need be, up the steep rock steps, till, proved to be following strange gods, he would be brought triumphantly back to the kitchen-shrine, by Clémentine, puffing, but exultant.

"Ah, monsieur, how could you pass us by?" madame\'s soft voice would murmur reproachfully in the pilgrim\'s ear. And the pilgrim, abashed, ashamed, would quickly make answer, if he were born of the right parents: "Chère madame, how was I to believe my eyes? It is ten years since I was here, and you are younger, more beautiful than ever! I was going in search of your mother!" at which needless truism all the kitchen would laugh. Madame Poulard herself would find time for one of her choicest smiles, although this was the great moment of the working of the miracle. She was beginning to cook the omelette.

The head-cook was beating the eggs in a great yellow bowl. Madame had already taken her stand at the yawning Louis XV. fireplace; she was beginning gently to balance the huge casserole over the glowing logs. And all the pilgrims were standing about, watching the process. Now, the group circling about the great fireplace was scarcely ever the same; the pilgrims presented a different face and garb day after day—but in point of hunger they were as one man; they were each and all as unvaryingly hungry as only tourists could be, who, clamoring for food, have the smell of it in their nostrils, with the added ache of emptiness gnawing within. But besides hunger, each one of the pilgrims had brought with him a pair of eyes; and what eyes of man can be pure savage before the spectacle of a pretty woman cooking, for him, before an open fire? Therefore it was that still another miracle was wrought, that of turning a famished mob into a buzzing swarm of admirers.

"Mais si, monsieur, in this pan I can cook an omelette large enough for you all; you will see. Ah, madame, you are off already? Célestine! Madame\'s bill, in the desk yonder. And you, monsieur, you too leave us? Deux cognacs? Victor—deux cognacs et une demi-tasse pour monsieur!"

These and a hundred other answers and questions and orders, were uttered in a fluted voice or in a tone of sharp command, by the miracle-worker, as the pan was kept gently turning, and the eggs were poured in at just the right moment—not one of the pretty poses of head and wrist being forgotten. Madame Poulard, like all clever women who are also pretty, had two voices: one was dedicated solely to the working of her charms; this one was soft, melodious, caressing, the voice of dove when cooing; the other, used for strictly business purposes, was set in the quick, metallic staccato tones proper for such occasions.

The dove\'s voice was trolling its sweetness, as she went on—

"Eggs, monsieur? How many I use? Ah, it is in the season that counting the dozens becomes difficult—seventy dozen I used one day last year!"

"Seventy dozen!" the pilgrim-chorus ejaculated, their eyes growing the wider as their lips moistened. For behold, the eggs were now cooked to a turn; the long-handled pan was being lifted with the effortless skill of long practice, the omelette was rolled out at just the right instant of consistency, and was being as quickly turned into its great flat dish.

There was a scurrying and scampering up the wide steps to the dining room, and a hasty settling into the long rows of chairs. Presently madame herself would appear, bearing the huge dish. And the omelette—the omelette, unlike the pilgrims, would be found to be always the same—melting, juicy, golden, luscious, and above all hot!

The noon-day table d\'h?te was always a sight to see. Many of the pilgrim-tourists came up to the Mont merely to pass the day, or to stop the night; the midday meal was therefore certain to be the liveliest of all the repasts.

The cloth was spread in a high, white, sunlit room. It was a trifle bare, this room, in spite of the walls being covered with pictures, the windows with pretty draperies, and the spotless linen that covered the long table. But all temples, however richly adorned, have a more or less unfurnished aspect; and this room served not only as the dining-table, but also as a foreshadowing of the apotheosis of Madame Poulard. Here were grouped together all the trophies and tributes of a grateful world; there were portraits of her charming brunette face signed by famous admirers; there were sonnets to her culinary skill and her charms as hostess, framed; these alternated with gifts of horned beasts that had been slain in her honor, and of stuffed birds who, in life, had beguiled the long winters for her with their songs. About the wide table, the snow of the linen reflected always the same picture; there were rows of little palms in flower-pots, interspersed with fruit dishes, with the butter pats, the almonds, and raisins, in their flat plates.

The rows of faces above the cloth were more varied. The four corners of the earth were sometimes to be seen gathered together about the breakfast-table. Frenchmen of the Midi, with the skin of Spaniards and the buzz of Tartarin\'s ze ze in their speech; priests, lean and fat; Germans who came to see a French stronghold as defenceless as a woman\'s palm; the Italian, a rarer type, whose shoes, sufficiently pointed to prick, and whose choice for décolleté collars betrayed his nationality before his lisping French accent could place him indisputably beyond the Alps; herds of English—of all types—from the aristocrat, whose open-air life had colored his face with the hues of a butcher, to the pale, ascetic clerk, off on a two weeks\' holiday, whose bending at his desk had given him the stoop of a scholar; with all these were mixed hordes of French provincials, chiefly of the bourgeois type, who singly, or in family parties, or in the nuptial train of sons or daughters, came up to the shrine of St. Michel.

To listen to the chatter of these tourists was to learn the last word of the world\'s news. As in the days before men spoke to each other across continents, and the medium of cold type had made the event of to-day the history of to-morrow, so these pilgrims talked through the one medium that alone can give a fact the real essence of freshness—the ever young, the perdurably charming human voice. It was as good as sitting out a play to watch the ever-recurring characteristics, which made certain national traits as marked as the noses on the faces of the tourists. The question, for example, on which side the Channel a pilgrim was born, was settled five seconds after he was seated at table. The way in which the butter was passed was one test; the manner of the eating of the famous omelette was another. If the tourist were a Frenchman, the neat glass butter-dish was turned into a visiting-card—a letter of introduction, a pontoon-bridge, in a word, hastily improvised to throw across the stream of conversation. "Madame" (this to the lady at the tourist\'s left), "me permet-elle de lui offrir le beurre?" Whereat madame bowed, smiled, accepted the golden balls as if it were a bouquet, returning the gift, a few seconds later, by the proffer of the gravy dish. Between the little ceremony of the two bows and the smiling mercis, a tentative outbreak of speech ensued, which at the end of a half-hour, had spread from bourgeois to countess, from curé to Parisian boulevardier, till the entire side of the table was in a buzz of talk. These genial people of a genial land finding themselves all in search of the same adventure, on top of a hill, away from the petty world of conventionality, remembered that speech was given to man to communicate with his fellows. And though neighbors for a brief hour, how charming such an hour can be made when into it are crowded the effervescence of personal experience, the witty exchange of comment and observation, and the agreeable conflict of thought and opinion!

On the opposite side of the table, what a contrast! There the English were seated. There was the silence of the grave. All the rigid figures sat as upright as posts. In front of these severe countenances, the butter-plates remained as fixtures; the passing of them to a neighbor would be a frightful breach of good form—besides being dangerous. Such practices, in public places, had been known to lead to things—to unspeakable things—to knowing the wrong people, to walks afterward with cads one couldn\'t shake off, even to marriages with the impossible! Therefore it was that the butter remained a fixture. Even between those who formed the same tourist-party, there was rarely such an act of self-forgetfulness committed as an indulgence in talk—in public. The eye is the only active organ the Englishman carries abroad with him; his talking is done by staring. What fierce scowls, what dark looks of disapproval, contempt, and dislike were levelled at the chattering Frenchmen opposite.

[Illustration: MONT SAINT MICHEL SNAIL-GATHERERS]

Across the table, the national hate perpetuated itself. It appears to be a test of patriotism, this hatred between Frenchmen and Englishmen. That strip of linen might easily have been the Channel itself; it could scarcely more effectually have separated the two nations. A whole comedy of bitterness, a drama of rivalry, and a five-act tragedy of scorn were daily played between the Briton who sat facing the south, and the Frenchman who faced north. Both, as they eyed their neighbor over the foam of their napkins, had the Island in their eye!—the Englishman to flaunt its might and glory in the teeth of the hated Gaul, and the Frenchman to return his contempt for a nation of moist barbarians.

Meanwhile, the omelette was going its rounds. It was being passed at that moment to Monsieur le Curé. He had been watching its progress with glistening eye and moistening lips. Madame Poulard, as she slipped the melting morsel beneath his elbow, had suddenly assumed the role of the penitent. Her tone was a reminder of the confessional, as of one who passed her masterpiece apologetically. She, forsooth, a sinner, to have the honor of ministering to the carnal needs of a son of the Church!

The son of the Church took two heaping spoonfuls. His eye gave her, with his smile, the benediction of his gratitude, even before he had tasted of the luscious compound.

"Ah, chère madame! il n\'y a que vous—it is only you who can make the ideal omelette! I have tried, but Suzette has no art in her fingers; your receipt doesn\'t work away from the Mont!" And the good man sighed as he chuckled forth his praises.

He had come up to the hill in company with the two excellent ladies beside him, of his flock, to make a little visit to his brethren yonder, to the priests who were still here, wrecks of the once former flourishing monastery. He had come to see them, and also to gaze on La Merveille. It was a good five years since he had looked upon its dungeons and its lace-work. But after all, in his secret soul of souls, he had longed to eat of the omelette. Dieu! how often during those slow, quiet years in the little hamlet yonder on the plain, had its sweetness and lightness mocked his tongue with illusive tasting! Little wonder, therefore, that the good curé\'s praises were sweet in madame\'s ear, for they had the ring of truth—and of envy! And madame herself was only mortal, for what woman lives but feels herself uplifted by the sense of having found favor in the eyes of her priest?

The omelette next came to a halt between the two ladies of the curé\'s flock. These were two bourgeoises with the deprecating, mistrustful air peculiar to commonplace the world over. The walk up the steep stairs was still quickening their breath their compressed bosoms were straining the hooks of their holiday woollen bodices—cut when they were of slenderer build. Their bonnets proclaimed the antique fashions of a past decade; but the edge of their tongues had the keenness that comes with daily practice—than which none has been found surer than adoration of one\'s pastor, and the invigorating gossip of small towns.

These ladies eyed the omelette with a chilled glance. Naturally, they could not see as much to admire in Madame Poulard or in her dish as did their curé. There was nothing so wonderful after all in the turning of eggs over a hot fire. The omelette!—after all, an omelette is an omelette! Some are better—some are worse; one has one\'s luck in cooking as in anything else. They had come up to the Mont with their good curé to see its wonders and for a day\'s outing; admiration of other women had not been anticipated as a part of the programme. Tiens—who was he talking to now? To that tall blonde—a foreigner, a young girl—tiens—who knows?—possibly an American—those Americans are terrible, they say—bold, immodest, irreverent. And the two ladies\' necks were screwed about their over-tight collars, to give Charm the verdict of their disapproval.

"Monsieur le Curé, they are passing you the fish!" cried the stouter, more aggressive parishioner, who boasted a truculent mustache.

"Monsieur le Curé, the roast is at your elbow!" interpolated the second, with the more timid voice of a second in action; this protector of the good curé had no mustache, but her face was mercifully protected by nature from a too-disturbing combination of attractions, by being plentifully punctuated with moles from which sprouted little tufts of hair. The rain of these ladies\' interruption was incessant; but the curé was a man of firm mind; their efforts to recapture his attention were futile. For the music of Charm\'s foreign voice was in his ear. Worship of the cloth is not a national, it is a more or less universal cult, I take it. It is in the blood of certain women. Opposite the two fussy, jealous bourgeoises, were others as importunate and aggressive. They were of fair, lean, lank English build, with the shifting eyes and the persistent courage which come to certain maidens in whose lives there is but one fixed and certain fact—that of having missed the matrimonial market. The shrine of their devotions, and the present citadel of their attack, was seated between them—he also being lean, pale, high-arched of brow, high anglican by choice, and noticeably weak of chin, in whose sable garments there was framed the classical clerical tie.

To this curate Madame was now passing her dish. She still wore her fine sweet smile, but there was always a discriminating reserve in its edge when she touched the English elbow. The curate took his spoonful with the indifference of a man who had never known the religion of good eating. He put up his one eye-glass; it swept Madame\'s bending face, its smile, and the yellow glory floating beneath both. "Ah-h—ya-as—an omelette!" The glass was dropped; he took a meagre spoonful which he cut, presently, with his knife. He turned then to his neighbors—to both his neighbors! They had been talking of the parish church on the hill.

"Ah-h-h, ya-as—lovely porch—isn\'t it?"

"Oh, lovely—lovely!" chorussed the two maidens, with assenting fervor. "Were you there this morning?" and they lifted eyes swimming with the rapture of their admiration.

"Ya-as."

"Only fancy—our missing you! We were both there!"

"Dear me! Really, were you?"

"Could you go this afternoon? I do want so to hear your criticism of my drawing—I\'m working on the arch now."

"So sorry—can\'t—possibly. I promised what\'s his name to go over to
Tombelaine, don\'t you know!"

"Oh-h! We do so want to go to Tombelaine!"

"Ah-h—do you, really? One ought to start a little before the tide drops—they tell me!" and the clerical eye, through its correctly adjusted glass, looked into those four pleading eyes with no hint of softening. The dish that was the masterpiece of the house, meanwhile, had been despatched as if it were so much leather.

The omelette fared no better with the brides, as a rule, than with the English curates. Such a variety of brides as came up to the Mont! You could have your choice, at the midday meal, of almost any nationality, age, or color. The attempt among these bridal couples to maintain the distant air of a finished indifference only made their secret the more open. The British phlegm, on such a journey, did not always serve as a convenient mask; the flattering, timid glance, the ripple of the tender whispers, and the furtive touching of fingers beneath the table, made even these English couples a part of the great human marrying family; their superiority to their fellows would return, doubtless, when the honey had dried out of their moon. The best of our adventures into this tender country were with the French bridal tourists; they were certain to be delightfully human. As we had had occasion to remark before, they were off, like ourselves, on a little voyage of discovery; they had come to make acquaintance with the being to whom they were mated for life. Various degrees of progress could be read in the air and manner of the hearty young bourgeoises and their paler or even ruddier partners, as they crunched their bread or sipped their thin wine. Some had only entered as yet upon the path of inquiry; others had already passed the mile-stone of criticism; and still others had left the earth and were floating in full azure of intoxication. Of the many wedding parties that sat down to breakfast, we soon made the commonplace discovery that the more plebeian the company, the more certain-orbed appeared to be the promise of happiness.

Some of the peasant weddings were noisy, boisterous performances; but how gay were the brides, and how bloated with joy the hardy, knotty-handied grooms! These peasant wedding guests all bore a striking family likeness; they might easily all have been brothers and sisters, whether they had come from the fields near Pontorson, or Cancale, or Dol, or St. Malo. The older the women, the prettier and the more gossamer were the caps; but the younger maidens were always delightful to look upon, such was the ripe vigor of their frames, and the liquid softness of eyes that, like animals, were used to wide sunlit fields and to great skies full of light. The bride, in her brand-new stuff gown, with a bonnet that recalled the bridal wreath only just laid aside, was also certain to be of a general universal type with the broad hips, wide waist, muscular limbs, and the melting sweetness of lips and eyes that only abundant health and a rich animalism of nature bring to maidenhood.

Madame Poulard\'s air with this, her world, was as full of tact as with the tourists. Many of the older women would give her the Norman kiss, solemnly, as if the salute were a part of the ceremony attendant on the eating of a wedding breakfast at Mont St. Michel. There would be a three times\' clapping of the wrinkled or the ruddy peasant cheeks against the sides of Madame Poulard\'s daintier, more delicately modelled face. Then all would take their seats noisily at table. It was Madame Poulard who then would bring us news of the party; at the end of a fortnight, Charm and I felt ourselves to be in possession of the hidden and secret reasons for all the marrying that had been done along the coast, that year. "Tiens, ce n\'est pas gai, la noce! I must learn the reason!" Madame would then flutter over the bridal breakfasters as a delicate plumaged bird hovers over a mass of stuff out of which it hopes to make a respectable meal. She presently would return to murmur in a whisper, "it is a mariage de raison. They, the bride and groom, love elsewhere, but they are marrying to make a good partnership; they are both hair-dressers at Caen. They have bought a new and fine shop with their earnings." Or it would be, "Look, madame, at that jolie personne; see how sad she looks. She is in love with her cousin who sits opposite, but the groom is the old one. He has a large farm and a hundred cows." To look on such a trio would only be to make the acquaintance anew of Sidonie and Risler and of Froment Jeune. Such brides always had the wandering gaze of those in search of fresh horizon............
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