Margaret Hazeltine sat on her porch with the spring wind blowing over her elusive wafts of fragrance—plum-blossom, apple-blossom, young grass, budding wood scents, pure, growing earth-smells.

"It is like breathing poetry," Margaret thought.

She was sewing, but now and then her hands fell in her lap while she lifted her head, catching in some wandering sweetness with a sharp breath, like a sigh.

It was four o\'clock in the afternoon. Sunshine mellowed the new greenness of short, tender grass on the lawns. It shone upon all the bare, budded branches up and down the street, seeking, caressing, stimulating. It lay kindly, genially, on the mid-road dust.

Margaret\'s father was pottering about the garden. He was a very old man, with stooping shoulders, but tall and slender like his daughter. He came up to the porch and stood leaning on his hoe. The wind fluttered his shabby garden-coat and thin, white beard. He rested his wrinkled old hands on the top of his hoe handle, and cast up his faded, sunken eyes to the intense young blue of the sky with its fleecy clouds floating.

Mr. Hazeltine addressed his daughter in the strain of conversational piety habitual with him, and in a voice which age and earnestness made tremulous:

"Seems like every spring I get more certain of my eternal home up yonder!"

Margaret smiled acquiescently. Long since she had silently drifted outside the zone of her father\'s simple, rigid creed; but to-day its bald egoism did not repel her. It seemed at one with the sweet will to live all about them.

Mr. Hazeltine went back to the garden. A girl appeared on the porch of the house opposite. The Hazeltine house was small and old and not lately painted. The house opposite was large, fresh, trim, and commodious in every visible detail. White cement walks enclosed and divided its neatly kept lawns and parking. Its fruit-trees breathed out of the unfolding whiteness of their bosoms the sweetest of those perfumes that drifted across to Margaret. The girl on the porch pushed the wicker chairs about for a moment, then, disdaining them all, sat down on the cement steps and rested her chin in her palm.

After a quick look and smile Margaret sewed busily, affecting not to see the other. She felt a little sympathetic flutter of pleasure and suspense. "Jean is waiting for Frank," she said to herself.

A piano began to play in a house up the street. Through the open windows rang joyous, vibrant music. White moths fluttered across the street and the lawn and parking opposite, veering vaguely over scattered yellow dandelion heads. Around the house opposite on the cement walk strutted a very young kitten on soft paws, its short tail sticking straight up, its gray coat still rough from its mother\'s tongue.

"Me-ow!" said the kitten plaintively, appalled at its own daring.

Jean sprang up, laughing, snatched up the kitten and carried it back to her seat, cuddling it under her chin.

Down the street came a young girl wheeling a baby\'s cab. The girl was but just past childhood, and she had been a homely child. But of late she had bloomed as mysteriously and almost as quickly as the plum-trees. She wore a light summer dress with a leaf-brown design upon it, in which her girlish form still half-confessed the child. Her complexion was clear and bright, the cheeks flushed; and the strongly-marked features seemed ready to melt and fuse to a softer mould. Her brown eyes had grown wistful and winning.

As they advanced, Margaret ran down the rickety wooden walk.

"Oh, is that the new baby?" she cried delightedly. "May I look?"

The girl smiled assent.

Softly Margaret drew back the woolly carriage robe and gazed adoringly. The baby was about six weeks old. Its tiny face was translucent, pinky white, the closed eyelids with their fringe of fine lashes inconceivably delicate. Its wee hands cuddled about its head; the curled, pink fingers, each tipped with its infinitesimal, dainty nail, were perfection in miniature. The formless mouth, pinker than the rest of the face, moved in sleep, betraying the one dream the baby knew.

Margaret drew a long, still breath of rapture, hanging over the little pink pearl of humanity.

"Will he wake if I kiss him?" she pleaded.

The girl smiled doubtfully. "Maybe," she said.

She was equally indifferent to the baby and to Margaret. Her wistful eyes wandered eagerly down the street, watching each sidewalk, and the glow in her cheeks and eyes seemed to kindle and waver momently.

Margaret did not kiss the baby. She only bent her head close over his, close enough to feel his warm, quick breathing, to catch the rhythm of his palpitating little life.

When she came back to her porch, after the girl had gone on, Margaret saw that Jean\'s caller had come.

The young man sat beside Jean. His head was bare, his black hair brushed stiffly up from his forehead pompadour-fashion, his new spring suit palpably in its original creases. He and Jean talked eagerly, sometimes with shouts of young laughter, at which Margaret smiled sympathetically; sometimes with swift, earnest interchange; sometimes with lazy, contented intervals of silence. Occasionally he put out his hand to pat or tease the kitten which lay in Jean\'s lap. She defended it. Whenever their fingers chanced to touch they started consciously apart—covertly to tempt the chance again.

Two little girls came skipping down the street, their white dresses tossed about their knees. Their loose hair, of the dusky fairness of brunette children, tossed about their shoulders and an immense white ribbon bow quivered on the top of each little bare head. Their dress and their dancing run gave them the look and the wavering allure of butterflies.

They were on Jean\'s side of the street. They fluttered past the house unnoticed by the two on the porch, who were in the midst of an especially interesting quarrel about the kitten. The little girls passed over the crossing with traces of conscientious care for their white slippers, and came up on Margaret\'s side. Opposite her they paused in consultation.

"Won\'t you come in," she called to them, "and talk to me a minute?"

The two advanced hesitatingly and stood before her at a little distance on the young grass in attitudes clearly tentative. They were shy little misses, and had not lived long on that street.

"Someone told me," said Margaret, "that your names were Enid and Elaine. Which is which?"

The taller one pointed first to her embroidered bosom, then to her sister.

"I\'m Enid; she\'s Elaine."

"I\'ve read about you in a book of poetry," observed Margaret—"it must have been you! I suppose if you had a little sister her name would be Guinevere?"

The large dark eyes of the two exchanged glances of denial. The small Elaine shook her head decidedly.

"We got a little sister!" announced Enid, "but her name ain\'t that; it\'s Katherine."

They were both pretty with the adorable prettiness of small girls, half baby\'s beauty, and half woman\'s. But Enid\'s good looks would always depend more or less upon happy accident—her time of life, her flow of spirits, her fortune in costume. Her face was rather long, with chin and forehead a trifle too pronounced. But the little Elaine was nature\'s darling. Her softly rounded person and countenance were instinct with charm. Even her little brown hands had delicacy and character. Her white-stockinged legs, from the fine ankles to the rounded knees at her skirt\'s edge, were turned to a sculptor\'s desire. Beside them, Enid\'s merely serviceable legs looked like sticks. The white bows in their hair shared the ensemble effect of each: Enid\'s perched precisely in the middle, its loops and ends vibrantly and decisively erect; Elaine\'s drooped a little at one side, its crispness at once confessing and defying evanescence and fragility.

Margaret thrilled with the child\'s loveliness, but for some subtle reason she smiled chiefly on Enid.

That little lady concluded she must be a person worthy of confidence.

"My doll\'s name is Clara," she imparted. "An\' hers is Isabel, only she calls it \'Ithabel\'!"

The color deepened in Elaine\'s dainty cheek. She was stung to protest; which she did with all the grace in the world, hanging her head at one side and speaking low.

"I don\'t either!" she murmured. "I thay Ithabel!"

"Either way is very nice," Margaret hastened to say.

"We\'ve been to Miss Eaton\'s Sunday school children\'s party," Enid informed her. "These are our best dresses, and our white kid slippers. Don\'t you think they\'re pretty? Mine tie with ribbons, but hers only button like a baby\'s."

Elaine looked down grievingly at the offensively infantile slippers, turning her exquisite little foot.

"I\'m going to speak a piece for Easter," Enid pursued, "all alone by myself; and she\'s going to speak one in concert with a class."

"Oh, I hope you will come and speak them for me some time," Margaret invited; "and bring Clara and Isabel."

"Maybe we will," answered Enid. "We must go now. Come on, Elaine."

Margaret watched them until they stopped beside a flowerbed along the sidewalk where the first tulips of the season were unfolding. Elaine bent over to examine them. Margaret reproached herself that, though Elaine had spoken but once, it was her image that lingered uppermost. Why should she add even the weight of her preference to that child in whose favor the dice were already so heavily loaded? For in Margaret\'s eyes, beauty was always the chief gift of the gods.

As she resumed her sewing, a sudden, fantastic fear shot across her thoughts—the fear that Elaine would die. She recognized it, in a moment, for the heart\'s old, sad prevision of impermanence in beauty, its rooted unbelief in fortune\'s constancy.

A quick glance up the street showed Elaine still stooping over the tulip bed, her stiff little skirts sticking out straight behind her. The grotesqueness was somehow reassuring. Margaret smiled, half at the absurd little figure, half at her own absurdly tragic fancy.

On the other porch Frank was taking his leave—a process of some duration. First he stood on the lower steps talking at length with Jean who stood on the top step. Then he raised his cap and started away, only to remember something before he reached the corner and to run back across the lawn. There he stood talking while Jean sat on the porch railing, suggesting a faint Romeo and Juliet effect. The next time, Jean called him back. They met halfway down the cement walk and conversed earnestly and lengthily.

With an exquisite sympathy Margaret watched these maneuvers from under discreet eyelids. She was glad for them both, with a clear-souled, generous joy. And yet she felt a sensitive pleasure that walked on the edge of pain. In the young man especially she took a quick delight—in his supple length of limb, the spread of his shoulders, his close-cropped black hair, his new clothes, the way he thrust his hands deep in his trousers\' pockets while he swung on the balls of his feet, the attentive bend of his head toward Jean; she reveled in all his elastic, masculine youth which she knew for the garb of a straight, strong, kindly, honorable soul. But out of the revel grew a trouble, as if some strange spirit prisoned in her own struggled to tear itself free, to fling itself, wailing, in the dust.

"Egotism!" said Margaret to herself, curling her lip, sewing very fast. The fluttering spirit lay tombed and still.

When Frank was finally gone, Jean sauntered across the street to Margaret\'s porch. She perched on the rail and pulled at the leafless vine-stems beside her, talking idly and desultorily of things she was not interested in.

She was an attractive girl, more wholesome than beautiful. Her bronze-brown hair coiled stylishly about her head, gleamed in the late sun. There were some tiny freckles across her nose. She wore a pale blue summer-dress with short sleeves out of which her young arms emerged, fresh and tender from their winter seclusion.

The two maidens circled warily about the topic they were both longing to talk of. Margaret noted in Jean a new aloofness. Every time she threw Frank\'s name temptingly into the open Jean purposely let it lie.

At last, with a little gasp of laughter, looking straight before her, Jean exclaimed: "I guess I\'m sort of scared!"

"What I like about Frank," said Margaret, "is that he\'s so true and reliable. He\'s a fellow you can trust!"

"Yes," assented Jean. "Don\'t you think he looks—nice in that new suit?"

"Splendid! Frank\'s a handsome boy."

"Isn\'t he?" sighed Jean.

"He\'ll always be constant to anyone he cares for. And, I think—he does care for someone."

"What makes you think so?" demanded Jean, her blue eyes suddenly intent on Margaret.

"What makes you think so?" Margaret parried.

Jean s............