According to the popular songs, we are apt to get the impression that the only section of the country where there is moonlight and a waiting sweetheart and a home worth longing for is down in Dixie. Judging from the movies, a plot to appeal must have a mountain or a desert setting of the West. Fictionists, so many of them, seem to think they must locate their heroines on Fifth Avenue and their heroes at sea. But could I write songs or direct cinema dramas or pen novels I\'d get my inspiration from that Iowa town.

Did you ever drive in from an Iowa farm to a Fourth of July celebration? A few years back the land wasn\'t worth quite so much an acre; the sloughs hadn\'t been tiled yet and the country hadn\'t discovered what a limited section of real good corn land there was after all. But she was Iowa then! Remember how the hot sun dawned early to shimmer across the knee-high fields and blaze against the side of the big red barn, how the shadows of the willow windbreak shortened and the fan on top of the tall windmill faintly creaked? The hired man had decorated his buggy-whip with a tiny ribbon of red, white and blue. Buggy-whip—sound queer now? Well, there were only three automobiles in the county then and they were the feature of the morning parade. Remember how the two blocks of Main Street were draped with bunting and flags, and the courthouse lawn was dotted with white dresses? Well, anyhow you remember the girls with parasols who represented the states, and the float bearing the Goddess of Liberty. And then the storm came in the middle of the afternoon. The lightning and the thunder, and the bunting with the red, white and blue somewhat streaked together but still fluttering. And just before sunset, you remember, it brightened up again, and out past the low-roofed depot and the tall grain elevator you could see the streak of blue and the play of the departing sun against the spent clouds. Nowhere else, above no other town, could clouds pile just like that.

You remember that morning, once a year, when the lilacs had just turned purple out by the front gate, and the dew was still wet on the green grass, the faint strains of band-music drifting out above the maples of the town, and flags hanging out on the porches—Decoration Day! How we used to hunt through the freshly awakened woods north of town for the rarest wildflowers! Tender petaled bloodroots there were in plenty, and cowslips down by the spring, and honeysuckles on the creek bank those late May days, but the lady\'s slippers and the jack in the pulpits—one had to know the hidden recesses where they grew. Withered they became before the hot sun sank, sending rays from the west that made the tombstones gleam like gold. Somehow, on those days, the sky seemed a bluer blue when the words of the speaker at the "Monument of the Unknown Dead" were carried off by the faint breeze that muffled, too, the song of the quartet and the music of the band. But close in your ears were the chirps of the insects in the bluegrass and the robins that hopped about in the branches of the evergreens.

We had our quota of civil war veterans in that Iowa town. We had our company that went down to Chickamauga in \'98. And now—well, you know what to expect from the youth of that sort of a community. Prosperity can\'t rob a place like that of its pioneer virtues. That Iowa town is an American............