Search      Hot    Newest Novel
HOME > Short Stories > Biographies of Working Men > IV. WILLIAM HERSCHEL, BANDSMAN.
Font Size:【Large】【Middle】【Small】 Add Bookmark  
IV. WILLIAM HERSCHEL, BANDSMAN.
Old Isaac Herschel, the oboe-player of the King\'s Guard in Hanover, had served with his regiment for many years in the chilly climate of North Germany, and was left at last broken down in health and spirits by the many hardships of several severe European campaigns. Isaac Herschel was a man of tastes and education above his position; but he had married a person in some respects quite unfitted for him. His good wife, Anna, though an excellent housekeeper and an estimable woman in her way, had never even learned to write; and when the pair finally settled down to old age in Hanover, they were hampered by the cares of a large family of ten children. Respectable poverty in Germany is even more pressing than in England; the decent poor are accustomed to more frugal fare and greater privations than with us; and the domestic life of the Herschel family circle must needs have been of the most careful and penurious description. Still, Isaac Herschel dearly loved his art, and in it he found many amends and consolations for the sordid shifts and troubles of a straitened German household. All his spare time was given to music, and in his later days he was enabled to find sufficient pupils to eke out his little income with comparative comfort.

William Herschel, the great astronomer (born in 1738), was the fourth child of his mother, and with his brothers he was brought up at the garrison school in Hanover, together with the sons of the other common soldiers. There he learned, not only the three R\'s, but also a little French and English. Still, the boy was not content with these ordinary studies; in his own playtime he took lessons in Latin and mathematics privately with the regimental schoolmaster. The young Herschels, indeed, were exceptionally fortunate in the possession of an excellent and intelligent father, who was able to direct their minds into channels which few people of their position in life have the opportunity of entering. Isaac Herschel was partly of Jewish descent, and he inherited in a marked degree two very striking Jewish gifts—a turn for music, and a turn for philosophy. The Jews are probably the oldest civilized race now remaining on earth; and their musical faculties have been continuously exercised from a time long before the days of David, so that now they produce undoubtedly a far larger proportion of musicians and composers than any other class of the population whatsoever. They are also deeply interested in the same profound theological and philosophical problems which were discussed with so much acuteness and freedom in the Book of Ecclesiastes and the subtle argument of Job and his friends. There has never been a time when the Jewish mind has not exercised itself profoundly on these deep and difficult questions; and the Hanover bandsman inherited from his Jewish ancestry an unusual interest in similar philosophical subjects. Thus, while the little ones were sleeping in the same common room at night, William and his father were often heard discussing the ideas of such abstruse thinkers as Newton and Leibnitz, whose names must have sounded strange indeed to the ordinary frequenters of the Hanover barracks. On such occasions good dame Herschel was often compelled to interpose between them, lest the loudness of their logic should wake the younger children in the crib hard by.

William, however, possessed yet another gift, which he is less likely to have derived from the Jewish side of the house. He and his brother Alexander were both distinguished by a natural taste for mechanics, and early gave proof of their learning by turning neat globes with the equator and ecliptic accurately engraved upon them, or by making model instruments for their own amusement out of bits of pasteboard. Thus, in early opportunities and educational advantages, the young Herschels certainly started in life far better equipped than most working men\'s sons; and, considering their father\'s doubtful position, it may seem at first sight rather a stretch of language to describe him as a working man at all. Nevertheless, when one remembers the humble grade of military bandsmen in Germany, even at the present day, and the fact that most of the Herschel family remained in that grade during all their lives, it is clear that William Herschel\'s life may be fairly included within the scope of the present series. "In my fifteenth year," he says himself, "I enlisted in military service," and he evidently looked upon his enlistment in exactly the same light as that of any ordinary soldier.

England and Hanover were, of course, very closely connected together at the middle of the last century. The king moved about a great deal from one country to the other; and in 1755 the regiment of Hanoverian Guards was ordered on service to England for a year. William Herschel, then seventeen years of age, and already a member of the band, went together with his father; and it was in this modest capacity that he first made acquaintance with the land where he was afterwards to attain the dignity of knighthood and the post of the king\'s astronomer. He played the oboe, like his father before him, and no doubt underwent the usual severe military discipline of that age of stiff stocks and stern punishments. His pay was very scanty, and out of it he only saved enough to carry home one memento of his English experiences. That memento was in itself a sufficient mark of the stuff from which young Herschel was compounded. It was a copy of "Locke on the Human Understanding." Now, Locke\'s famous work, oftener named than read, is a very tough and serious bit of philosophical exposition; and a boy of seventeen who buys such a book out of his meagre earnings as a military bandsman is pretty sure not to end his life within the four dismal bare walls of the barrack. It is indeed a curious picture to imagine young William Herschel, among a group of rough and boisterous German soldiers, discussing high mathematical problems with his father, or sitting down quietly in a corner to read "Locke on the Human Understanding."

In 1757, during the Seven Years\' War, Herschel was sent with his regiment to serve in the campaign of Rossbach against the French. He was not physically strong, and the hardships of active service told terribly upon the still growing lad. His parents were alarmed at his appearance when he returned, and were very anxious to "remove" him from the service. That, however, was by no means an easy matter for them to accomplish. They had no money to buy his discharge, and so, not to call the transaction by any other than its true name, William Herschel was forced to run away from the army. We must not judge too harshly of this desertion, for the times were hard, and the lives of men in Herschel\'s position were valued at very little by the constituted authorities. Long after, it is said, when Herschel had distinguished himself by the discovery of the planet Uranus, a pardon for this high military offence was duly handed to him by the king in person on the occasion of his first presentation. George III. was not a particularly wise or brilliant man; but even he had sense enough to perceive that William Herschel could serve the country far better by mapping out the stars of heaven than by playing the oboe to the royal regiment of Hanoverian Guards.

William was nineteen when he ran away. His good mother packed his boxes for him with such necessaries as she could manage, and sent them after him to Hamburg; but, to the boy\'s intense disgust, she forgot to send the copy of "Locke on the Human Understanding." What a sturdy deserter we have here, to be sure! "She, dear woman," he says plaintively, "knew no other wants than good linen and clothing!" So William Herschel the oboe-player started off alone to earn his living as best he might in the great world of England. It is strange he should have chosen that, of all European countries; for there alone he was liable to be arrested as a deserter: but perhaps his twelvemonth\'s stay in London may have given him a sense of being at home amongst us which he would have lacked in any other part of Europe. At any rate, hither he came, and for the next three years picked up a livelihood, we know not how, as many other excellent German bandsmen have done before and since him. Our information about his early life is very meagre, and at this period we lose sight of him for a while altogether.

About the year 1760, however, we catch another incidental glimpse of the young musician in his adopted country. By that time, he had found himself once more a regular post as oboist to the Durham militia, then quartered for its muster at Pontefract. A certain Dr. Miller, an organist at Doncaster, was dining one evening at the officers\' mess; when his host happened to speak to him in high praise of a young German they had in their band, who was really, he said, a most remarkable and spirited performer. Dr. Miller asked to see (or rather hear) this clever musician; so Herschel was called up, and made to go through a solo for the visitor\'s gratification. The organist was surprised at his admirable execution, and asked him on what terms he was engaged to the Durham militia. "Only from month to month," Herschel answered. "Then leave them at the end of your month," said Miller, "and come to live with me. I\'m a single man; I think we can manage together; and I\'m sure I can get you a better situation." Herschel frankly accepted the offer so kindly made, and seems to have lived for much of the next five years with Miller in his little two-roomed cottage at Doncaster. Here he took pupils and performed in the orchestra at public concerts, always in a very quiet and modest fashion. He also lived for part of the time with a Mr. Bulman at Leeds, for whom he afterwards generously provided a place as clerk to the Octagon Chapel at Bath. Indeed, it is a very pleasing trait in William Herschel\'s character that to the end he was constantly engaged in finding places for his early friends, as well as for the less energetic or less fortunate members of his own family.

During these years, Herschel also seems to have given much attention to the organ, which enabled him to make his next step in life in 1765, when he was appointed organist at Halifax. Now, there is a great social difference between the position of an oboe-player in a band and a church organist; and it was through his organ-playing that Herschel was finally enabled to leave his needy hand-to-mouth life in Yorkshire. A year later, he obtained the post of organist to the Octagon Chapel at Bath, an engagement which gave him new opportunities of turning his mind to the studies for which he possessed a very marked natural inclination. Bath was in those days not only the most fashionable watering-place in England, but almost the only fashionable watering-place in the whole kingdom. It was, to a certain extent, all that Brighton, Scarborough, Buxton, and Harrogate are to-day, and something more. In our own time, when railways and steamboats have so altered the face of the world, the most wealthy and fashionable English society resorts a great deal to continental pleasure towns like Cannes, Nice, Florence, Vichy, Baden, Ems, and Homburg; but in the eighteenth century it resorted almost exclusively to Bath. The Octagon Chapel was in one sense the centre of life in Bath; and through his connection with it, Herschel was thrown into a far more intelligent and learned society than that which he had left behind him in still rural Yorkshire. New books came early to Bath, and were read and discussed in the reading-rooms; famous men and women came there, and contributed largely to the intellectual life of the place; the theatre was the finest out of London; the Assembly Rooms were famous as the greatest resort of wit and culture in the whole kingdom. Herschel here was far more in his element than in the barracks of Hanover, or in the little two-roomed cottage at rustic Doncaster.

He worked very hard indeed, and his work soon brought him comfort and comparative wealth. Besides his chapel services, and his later engagement in the orchestra of the Assembly Rooms, he had often as many as thirty-eight private pupils in music every week; and he also composed a few pieces, which were published in London with some modest success. Still, in spite of all these numerous occupations, the eager young German found a little leisure time to devote to self-education; so much so that, after a fatiguing day of fourteen or sixteen hours spent in playing the organ and teaching, he would "unbend his mind" by studying the higher mathematics, or give himself a lesson in Greek and Italian. At the same time; he was also working away at a line of study, seemingly useless to him, but in which he was afterwards to earn so great and deserved a reputation. Among the books he read during this Bath period were Smith\'s "Optics" and Lalande\'s "Astronomy." Throughout all his own later writings, the influence of these two books, thoroughly mastered by constant study in the intervals of his Bath music lessons, makes itself everywhere distinctly felt.

Meanwhile, the family at Hanover had not been flourishing quite so greatly as the son William was evidently doing in wealthy England. During all those years, the young man had never forgotten to keep up a close correspondence with his people in Germany. Already, in 1764, during his Yorkshire days, William Herschel had managed out of his Savings as an oboe-player to make a short trip to his old home; and his sister Carolina, afterwards his chief assistant in his astronomical labours, notes with pleasure the delight she felt in having her beloved brother with her once more, though she, poor girl, being cook to the household apparently, could only enjoy his society when she was not employed "in the drudgery of the scullery." A year later, when William had returned to England again, and had just received his appointment as organist at Halifax, his father, Isaac, had a stroke of paralysis which ended his violin-playing for ever, and forced him to rely thenceforth upon copying music for a precarious livelihood. In 1767 he died, and poor Carolina saw before her in prospect nothing but a life of that domestic drudgery which she so disliked. "I could not bear the idea of being turned into a housemaid," she says; and she thought that if only she could take a few lessons in music and fancy work she might get "a place as governess in some family where the want of a knowledge of French would be no objection." But, unhappily, good dame Herschel, like many other uneducated and narrow-minded persons, had a strange dread of too much knowledge. She thought that "nothing further was needed," says Carolina, "than to send me two or three months to a sempstress to be taught to make household linen; so all that my father could do was to indulge me sometimes with a short lesson on the violin when my mother was either in good humour or out of the way. It was her certain belief that my brother William would have returned to his country, and my eldest brother would not have looked so high, if they had had a little less learning." Poor, purblind, well-meaning, obstructive old dame Herschel! what a boon to the world that children like yours are sometimes seized with this incomprehensible fancy for "looking too high"!

Nevertheless, Carolina managed by rising early to take a few lessons at daybreak from a young woman whose parents lived in the same cottage with hers; and so she got through a little work before the regular daily business of the family began at seven. Imagine her delight then, just as the difficulties after her father\'s death are making that housemaid\'s place seem almost inevitable, when she gets a letter from William at Bath, asking her to come over to England and join him at that gay and fashionable city. He would try to prepare her for singing at his concerts; but if after two years\' trial she didn\'t succeed, he would take her back again to Hanover himself. In 1772, indeed, William in person came over to fetch her, and thenceforth the brother and sister worked unceasingly together in all their undertakings to the day of the great astronomer\'s death.

About this time Herschel had been reading Ferguson\'s "Astronomy," and felt very desirous of seeing for himself the objects in the heavens, invisible to the naked eye, of which he there found descriptions. For this purpose he must of course have a telescope. But how to obtain one? that was the question. There was a small two-and-a-half foot instrument on hire at one of the shops at Bath; and the ambitious organist borrowed this poor little glass for a time, not merely to look through, but to use as a model for constructing one on his own account. Buying was impossible, of course, for telescopes cost much money: but making would not be difficult for a determined mind. He had always been of a mechanical turn, and he was now fired with a desire to build himself a telescope eighteen or twenty feet long. He sent to London for the lenses, which could not be bought at Bath; and Carolina amused herself by making a pasteboard tube to fit them in her leisure hours. It was long before he reached twenty feet, indeed: his first effort was a seven-foot, attained only "after many continuous determined trials." The amateur pasteboard frame did not fully answer Herschel\'s expectations, so he was obliged to go in grudgingly for the expense of a tin tube. The reflecting mirror which he ought to have had proved too dear for his still slender purse, and he thus had to forego it with much regret. But he found a man at Bath who had once been in the mirror-polishing line; and he bought from him for a bargain all his rubbish of patterns, tools, unfinished mirrors and so forth, with which he proceeded to experiment on the manufacture of a proper telescope. In the summer, when the season was over, and all the great people had left Bath, the house, as Carolina says ruefully, "was turned into a workshop." William\'s younger brother Alexander was busy putting up a big lathe in a bedroom, grinding glasses and turning eyepieces; while in the drawing-room itself, sacred to William\'s aristocratic pupils, a carpenter, sad to relate, was engaged in making a tube and putting up stands for the future telescopes. Sad goings on, indeed, in the family of a respectable music-master and organist! Many a good solid shopkeeper in Bath must no doubt have shaken his grey head solemnly as he passed the door, and muttered to himself that that young German singer fellow was clearly going on the road to ruin with his foolish good-for-nothing star-gazing.

In 1774, when William Herschel was thirty six, he had at last constructed himself a seven-foot telescope, and began for the first time in his life to view the heavens in a systematic manner. From this h............
Join or Log In! You need to log in to continue reading
   
 

Login into Your Account

Email: 
Password: 
  Remember me on this computer.

All The Data From The Network AND User Upload, If Infringement, Please Contact Us To Delete! Contact Us
About Us | Terms of Use | Privacy Policy | Tag List | Recent Search  
©2010-2018 wenovel.com, All Rights Reserved