A week or two later, one bright spring afternoon, Will was strolling by himself down the sunny side of Bond Street. All the world was there?—?for the world was in town?—?and the pavements were crowded. But Will moved through the stream of well-dressed dawdlers, seeing and hearing little. In the midst of all that idle throng, his head was full of melodies; he was working up rhymes to ready-made tunes, undisturbed by the hubbub and din of London. Of a sudden, somebody stopped and stood straight in front of him. “Mr Deverill, I believe!” a tuneful voice said, brusquely. Will’s eyes returned at once from heaven to earth, and saw standing before them?—?a tall young man, of somewhat defiant aspect, dressed in the black frock coat and shiny silk hat of Metropolitan respectability.
Will paused, and surveyed him. He was a good-looking young man, with much swagger in his air, and a black moustache on his upper lip; but his face seemed somehow strangely familiar to Will, while his voice stirred at once some latent chord in the dim depths of his memory. But he wasn’t one of Will’s fine London acquaintances?—?the poet saw that much at once by the cheap pretentiousness of his coat and hat, the flaring blue of his made-up silk tie, the obtrusive glitter of the false diamond pin which adorned its centre. The stranger’s get-up, indeed, was redolent of the music halls. Yet he was handsome for all that, with a certain strange air of native distinction, not wholly concealed by the vulgar tone of his costume and his solicitous jewellery. Will held out his hand with that dubitative air which we all of us display in the first moment of uncertainty towards half-recognised acquaintances.
“I see you have forgotten me, zen,” the stranger said, in very decent English, drawing himself up with great dignity, and twirling his black moustache airily between one thumb and forefinger. “It is long, to be sure, since we met in ze Tyrol. And I have changed much since zen, no doubt: I have mixed with ze world; I have grown what you call in English cosmopolitan. But I see it comes back; I see you remember me now; my voice recalls it to you.”
Will grasped his hand more cordially. “Yes, perfectly, when you speak,” he said; “though you are very much changed indeed, as you say; but I see you’re Franz Lindner.”
“Yes; I’m Mr Franz Lindner,” the stranger replied, half-imperceptibly correcting him?—?for it was indeed the Robbler. Will scanned him from head to foot, and took him in at a glance. He was a fiery young man still, and his mien, as of old, was part fierce, part saucy. But, oh, what a difference the change of dress had made in him! No conical hat, no blackcock’s feather now, whether “turned” or otherwise. In his Tyrolese costume, with his rifle in his hand, and his cartridges at his side, Franz Lindner had looked and moved of yore a typical Alpine j?ger. But, in black frock-coat and shiny tall hat, strolling like a civilised snob that he was down the flags of Bond Street, all the romance and poetry had faded utterly out of him. The glamour was gone. He looked and moved for all the world to-day like any other young man of the baser mock-swell sort, dressed up in his Sunday best to lounge and ogle and bandy vulgar chaff in Burlington Arcade with his predestined companions.
“Why, what has brought you to London, then?” Will asked, much astonished.
“Art, art,” the transfigured Robbler responded, offhand, with inimitable swagger. “You must surely zen know my stage name, zough you don’t seem to have heard me.” He pulled out a printed card, and handed it to Will with a flourish. “I am ze Signor Francesco,” he continued, “all ze world is talking about.” And he threw back his chin and cocked his head on one side, looking, even as he spoke, more pretentious than ever.
“Oh, indeed!” Will answered with a bewildered little laugh. But it was the non-committing “Oh, indeed!” of mere polite acquiescence.
Franz Lindner caught the tinge of implied non-recognition in the Englishman’s voice, and hastened to add, as if parenthetically, “I perform at ze Pavilion.”
“What, the London Pavilion at the top of the Hay market?” Will exclaimed, beginning to realise.
Franz Lindner looked hurt. “I’ve seen your name often enough,” he said, asserting himself still more vigorously as Will seemed to know less of him; “and I sought, as you were a pillar of ze profession yourself, you would certainly have seen mine, if it were only on ze posters. I’m advertised largely. All London rings wis me. Ze County Council has even taken notice of me. I’m a public character! And I have had ze intention more zan once of looking you up, as also Mr Florian. But zere, here in London our time is so occupied! You and I, who are public men, wis professional engagements?—?we are ever overtaxed; we know not how to find ze leisure or ze space for ze claims of friendship.”
“Have you been long in London?” Will asked, turning down with him towards Piccadilly.
“More zan two years now,” the Robbler answered briskly, lounging on at his own pace, with a cane in his gloved hand, and staring hard, as he passed, at every pretty girl he saw on foot or in the carriages. “After I leave you at Meran, I worked my way slowly?—?singing, singing, ever singing?—?by degrees to Paris. But Paris didn’t suit me; zere is too much blague zere; zey go in for buffoons; zey laugh at a man of modest merit. I hate blague myself. So zen I came on pretty soon to London. At first I had to sing in common low music halls?—?sous side and zat; but talent, talent is sure to make its way in ze end. I rose very quick, and now?—?I am at ze head of my branch of ze profession.”
“You sing, of course?” Will interposed, restraining a smile at the Robbler’s delicious self-satisfaction. The man himself was the very same as ever, to be sure; but ’twas strange what a difference mere externals had made in him!
“Yes; I sing, and sometimes, too, I play ze zither. But mostly, I sing. It surprises me, indeed, you should not have heard of my singing.”
“And what’s the particular branch of which you’re the acknowledged head?” Will asked, still amused at the Tyroler’s complacency.
Franz Lindner held his head very high in the air, and gave a twirl to his cane, as he answered, with much importance, “My line is ze Mammoss Continental Comique; ze serio-comic foreigner; zey call me Frenchy. I sing ze well-known songs in broken English zat are in everybody’s mous?—?‘Mossoo Robert is my name,’ or ‘Lay-ces-terre Squarre,’ or ‘Ze leetle black dawg,’ or ‘Zat lohvely Matilda.’ I wonder you have not heard of me. ‘Mossoo Robert’ is all ze talk of London. Frank Wilkins writes songs especially for my voice. If you look in ze music shops, you will see on ze covers, ‘Written expressly for Signor Francesco.’ Signor Francesco?—?zat’s me!” And he tapped his breast, and swelled himself visibly.
“I remember to have seen the name, I think,” Will answered, with a slight internal shudder, well pleased, none the less, to give some tardy salve to his companion’s wounded vanity. “I’m glad you’ve got on, and delighted to find you have such kindly recollections of me.”
Franz Lindner laughed. “Oh, zat!” he said, snapping his fingers in the air very jauntily. “I was a hot young man zen; I knew little of ze world. You mustn’t sink much of what a young man did in ze days before he knew how Society is ma............