Dunbude Castle, Lord Exmoor’s family seat, stands on the last spurs of the great North Devon uplands, overlooking the steep glen of a little boulder-encumbered stream, and commanding a distant view of the Severn Sea and the dim outlines of the blue Welsh hills beyond it. Behind the house, a castle only by courtesy (on the same principle as that by which every bishop lives in a palace), rises the jagged summit of the Cleave, a great weather-worn granite hill, sculptured on top by wind and rain into those fantastic lichen-covered pillars and tora and logans in which antiquarian fancy used so long to find the visible monuments of Druidical worship. All around, a wide brown waste of heather undulates and tosses wildly to the sky; and on the summit of the rolling moor where it rises and swells in one of its many rounded bosses, the antlered heads and shoulders of the red deer may often be seen etched in bold relief against the clear sky-line to the west, on sunny autumn evenings. But the castle itself and the surrounding grounds are not planned to harmonise with the rough moorland English scenery into whose midst they were unceremoniously pitchforked by the second earl. That distinguished man of taste, a light of the artistic world in his own day, had brought back from his Grand Tour his own ideal of a strictly classical domestic building, formed by impartially compounding a Palladian palace, a Doric temple, and a square redbrick English manor-house. After pulling down the original fourteenth-century castle, he had induced an eminent architect of the time to conspire with him in giving solid and permanent reality to this his awful imagining; and when he had completed it all, from portico to attic, he had extorted even the critical praise of Horace Walpole, who described it in one of his letters as a ‘singular triumph of classical taste and architectural ingenuity.’ It still remains unrivalled in its kind, the ugliest great country-seat in the county of Devon—some respectable authorities even say in the whole of England.
In front of the house an Italian garden, with balustrades of very doubtful marble, leads down by successive terraces and broad flights of steps to an artificial octagonal pool, formed by carefully destroying the whole natural beauty of the wild and rocky little English glen beneath. To feed it by fitting a conduit, the moss-grown boulders that strew the bed of the torrent above and below have been carefully removed, and the unwilling stream, as it runs into the pool, has been coerced into a long straight channel, bordered on either side by bedded turf, and planed off at measured intervals so as to produce a series of eminently regular and classical cascades. Even Lord Exmoor himself, who was a hunting man, without any pretence to that stupid rubbish about taste, did not care for the hopeless exterior of Dunbude Castle: he frankly admitted that the place was altogether too doosid artificial for the line of country. If they’d only left it alone, he said, in its own native condition, it would have been really pretty; but as they’d doctored it and spoilt it, why, there was nothing on earth to be done but just put up with it and whistle over it. What with the hounds, and the mortgages, and the settlements, and the red deer, and Goodwood, the estate couldn’t possibly afford any money for making alterations down in the gardens.
The dog-cart was in waiting at the station to carry Ernest up to the castle; and as he reached the front door, Lady Hilda Tregellis strolled up the broad flight of steps from the garden to meet him. Lady Hilda was tall and decidedly handsome, as Ernest had rightly told Edie, but not pretty, and she was also just twenty. There was a free, careless, bold look in her face, that showed her at once a girl of spirit; indeed, if she had not been born a Tregellis, it was quite clear that she would have been predestined to turn out a strong-minded woman. There was nothing particularly delicate in Lady Hilda’s features; they were well-modelled, but neither regular nor cold, nor with that peculiar stamp of artificial breeding which is so often found in the faces of English ladies. On the contrary, she looked like a perfectly self-confident handsome actress, too self-confident to be self-conscious, and accustomed to admiration wherever she turned. As Ernest jumped down from the dog-cart she advanced quickly to shake hands with him, and look him over critically from head to foot like a schoolboy taking stock of a new fellow.
‘I’m so glad you’ve come, Mr. Le Breton,’ she said, with an open smile upon her frank face. ‘I was dreadfully afraid you wouldn’t care for our proposition. Dunbude’s the dullest hole in England, and we want somebody here to brighten it up, sadly. Did you ever see such an ugly monstrosity before, anywhere?’
‘The country about’s lovely,’ Ernest answered, ‘but the house itself is certainly rather ugly.’
‘Ugly! It’s hideous. And it’s as dull as it’s big,’ said Hilda vehemently. ‘You can’t think what a time we have of it here half the year! I’m always longing for the season to come. Papa fills the house here with hunting men and shooting men—people without two ideas in their heads, you know, just like himself; and even THEY go out all day, and leave us women from morning till night to the society of their wives and daughters, who are exactly like them. Mr. Walsh—that’s Lynmouth’s last tutor—he was a perfect stick, a Cambridge man; Cambridge men always ARE sticks, I believe; you’re Oxford, of course, aren’t you? I thought so. Still, even Mr. Walsh was a little society, for I assure you, if it hadn’t been for him, I should never have seen anybody, to talk to, from year’s end to year’s end. So when Mr. Walsh was going to leave us, I said to mamma, “Why not ask one of the Mr. Le Bretons?” I wanted to have somebody sensible here, and so I got her to let me write to your brother Ronald about the tutorship. Did he send you the letter? I hope you didn’t think it was mine. Mamma dictated it, for I don’t write such formal letters as that on my own account, I can tell you. I hate conventionality of any sort. At Dunbude we’re all conventional, except me; but I won’t be. Come up into the billiard-room, here, and sit down awhile; William will see about your portmanteau and things. Papa’s out, of course, and so’s Lynmouth; and mamma’s somewhere or other, I don’t know where; and so there’s nobody in particular at home for you to report yourself to. You may as well come in here while I ring for them to get you some lunch ready. Nobody ever gets anything ready beforehand in this house. We lunched ourselves an hour ago.’
Ernest smiled at her volubility, and followed her quickly into the big bare billiard-room. He walked over to the fire and began to warm himself, while Hilda took down a cue and made stray shots in extraordinary angles at impossible cannons, all the time, as she went on talking to him. ‘Was it very cold on the way down?’ she asked.
‘Yes, fairly. I’m not sorry to see the fire again. Why, you’re quite an accomplished player.’
‘There’s nothing else to do at Dunbude, that’s why. I practise about half my lifetime. So I wrote to your brother Ronald, as I was telling you, from mamma’s dictation; and when I heard you were really coming, I was quite delighted about it. Do you remember, I met you twice last year, once at the Dolburys’, and once somewhere else; and I thought you’d be a very good sort of person for Dunbude, you know, and about as much use to Lynmouth as anybody could be, which isn’t saying much, of course, for he’s a dreadful pickle. I insisted on putting in my letter that he was a dreadful pickle (that’s a good stroke off the red; just enough side on), though mamma didn’t want me to; because I thought you ought to know about it beforehand. But you remember him at Marlborough, of course; he was only a little fellow then, but still a pickle. He always was and he always will be. He’s out shooting, now, with papa; and you’ll never get him to settle down to anything, as long as there’s a snipe or a plover banging about on the moor anywhere. He’s quite incorrigible. Do you play at all? Won’t you take a cue till your lunch’s ready?’
‘No, I don’t play,’ Ernest answered, half hesitating, ‘or at least very little.’
‘Oh, then you’ll learn here, because you’ll find nothing else to do. Do you shoot?’
‘Oh no, never. I don’t think it right.’
‘Ah, yes, I remember. How delightful! Lady Le Breton told me all about it. You’ve got notions, haven’t you? You’re a Nihilist or a Fenian or something of that sort, and you don’t shoot anything but czars and grand dukes, do you? I believe you want to cut all our heads off and have a red republic. Well, I’m sure that’s very refreshing; for down here we’re all as dull as sticks together; Tories, every one of us to a man; perfect unanimity; no differences of opinion; all as conventional and proper as the vicar’s sermons. Now, to have somebody who wants to cut your head off, in the house, is really delightful. I love originality. Not that I’ve ever seen anybody original in all my life, for I haven’t, but I’m sure it would be delightful if I did. One reads about original people in novels, you know, Dickens and that sort of thing; and I often think I should like to meet some of them (good stroke again; legs, legs, legs, if you please—no, it hasn’t legs enough); but here, or for the matter of that, in town either, we never see anybody but the same eternal round of Algies, and Monties, and Berties, and Hughs—all very nice young men, no doubt; exceedingly proper, nothing against them; good shots, capital partners, excellent families, everything on earth that anybody could desire, except a single atom of personal originality. I assure you, if they were all shaken up in a bag together and well mixed, in evening clothes (so as not to tell them apart by the tweeds, you know), their own mothers wouldn’t be able to separate them afterwards. But if you don’t shoot and don’t play billiards, I’m sure I don’t know what you’ll ever find to do with yourself here at Dunbude.’
‘Don’t you think,’ Ernest said quietly, taking down a cue, ‘one ought to have something better to do with one’s time than shooting and playing billiards? In a world where so many labouring people are toiling and slaving in poverty and misery on our behalf, don’t you think we should be trying to do something or other in return for universal humanity, to whom we owe so much for our board and lodging and clothing and amusement?’
‘Well, now, that’s just what I mean,’ said Hilda ecstatically, with a neat shot off the cushion against the red and into the middle pocket; ‘that’s such a delightfully original way of looking at things, you see. We all of us here talk always about the partridges, and the red deer, and the turnips, and the Church, and dear Lady This, and that odious Lady That, and the growing insolence of the farmers, and the shocking insubordination of the lower classes, and the difficulty of getting really good servants, and the dreadful way those horrid Irish are shooting their kind-hearted indulgent landlords; or else we talk—the women especially—about how awfully bored we are. Lawn-tennis, you know, and dinners, and what a bad match Ethel Thingumbob has made. But you talk another kind of slang; I dare say it doesn’t mean much; you know you’re not working at anything very much more serious than we are; still it’s a novelty. When we go to a coursing meeting, we’re all on the hounds; but you’re on the hare, and that’s so delightfully original. I haven’t the least doubt that if we were to talk about the Irish, you’d say you thought they ought to shoot their landlords. I remember you shocked mamma by saying something like it at the Dolburys’. Now, of course, it doesn’t matter to me a bit which is right; you say the poor tenants are starving, and papa says the poor landlords can’t get in their rents, and actually have to give up their hounds, poor fellows; and I don’t know which of you is the most to be believed; only, what papa says is just the same thing that everybody says, and what you say has a certain charming freshness and variety about it. It’s so funny to be told that one ought really to take the tenants into consideration. Exactly like your brother Ronald’s notions about servants!’
‘Your lunch is ready in the dining-room, sir,’ said a voice at the door.
‘Come back here when you’ve finished, Mr. Le Breton,’ Hilda called after him. ‘I’ll teach you how to make that cannon you missed just now. If you mean to exist at Dunbude at all, it’s absolutely necessary for you to learn billiards.’
Ernest turned in to lunch with an uncomfortable misgiving on his mind already that Dunbude was not exactly the right place for such a man as he to live in.
During the afternoon he saw nothing more of the family, save Lady Hilda; and it was not till the party assembled in the drawing-room before dinner that he met Lord and Lady Exmoor and his future pupil. Lynmouth had grown into a tall, handsome, manly-looking boy since Ernest last saw him; but he certainly looked exactly what Hilda had called him—a pickle. A few............