Forrester went back very full of his discovery, and there was a certain solemnity in his manner which made it evident to his master that he had something to tell. When he had delivered Laurie’s message about the dinner on Saturday, he paused with a look of meaning. ‘And glad he’ll be of a good dinner, too, sir,’ the old man said, solemnly, ‘before all is done.’

‘I’m sorry to hear that, Forrester,’ said Mr. Welby. ‘He must have been extravagant: for, after all, though it’s a change to him, a man need not starve on two hundred a-year.’

‘It’s not now as I’m meaning, sir,’ said Forrester, with a sigh. ‘He’s been and started in a bad way. For aught I can tell he’s as well off as you and me now; but I know what it all comes to, Mr. Welby, when a young man sets hisself agoing, and won’t hear no advice,—in that way.’

‘God bless me! you don’t mean to say the young fellow has got married?’ said Mr. Welby, with agitation; for his interest in Laurie was great.{v.1-317}

‘No, sir,’ said Forrester, ‘worse nor that. Marrying’s a lottery, but sometimes a wife’s a help. You may shake your head, sir; but sometimes she’s a help. It’s more nor that; but I won’t keep you no longer in misery. That young gentleman, sir, as you take an interest in, and I take an interest in, and the good lady up-stairs, though he’s been well-instructed and had all our advice, and ain’t an idiot, not to speak of, in other things, he’s been and took up the Saxon line. I see, with my own eyes, a sketch of that ere blessed Hedith as is always a seeking somebody’s body. He’s got it stuck up on a big canvas six by ten, sir; you take my word; and you know what that comes to as well as me.’

‘Bless my soul!’ said Mr. Welby; and though his emotion took a different form, it was quite as genuine as Forrester’s outspoken despair. He took a few turns through his studio, repeating this disclosure to himself. ‘The Saxon line!’ he said with horror. ‘Infatuated boy! When a young man is thus bent on destroying himself, what can any one do?’ ‘You are sure you are making no mistake?’ said the R.A.; ‘it was not some other fellow’s canvas that had been left in his place? And what did you say to him? After all the trouble we’ve taken! I will never interest myself in any young man again,’ said Mr. Welby, with effusion, ‘not if I should live a hundred years!’

{v.1-318}

‘What did I say, sir?’ said Forrester. ‘I told him plain where he was going to; to destruction. I gave him a piece of my mind, sir. I spoke to him that clear as he couldn’t make no mistake. I told him the times and times I’ve seen it done, and what followed. I counted ’em over to him,—Mr. Suffolk, and young Mr. Warleigh, and——’

‘Then you behaved like an ass,’ cried the R.A., with indignation. ‘Suffolk! the cleverest painter he knows. Why, there’s not a man among us can hold the candle to Suffolk for some things! Why didn’t you tell him of Baxter, and Robinson, and Simpson, and half-a-dozen other young fools like himself? Suffolk! A man of genius! I thought you had more sense.’

‘He may be a bit of a genius,’ said Forrester, standing his ground; ‘but he don’t sell his pictures, and Mr. Renton knows it. He was struck all of a heap, sir, when he’d heard all I’d got to say. I don’t approve of the subject, nor I don’t approve of the size; but as far as I could judge of the chalk, it wasn’t badly put on. I wouldn’t say he’s a genius, but he’s got a way, has Mr. Renton; and always a nice-spoken, civil gentleman, even when he’s put out a bit, as he might have been to-day.’

‘Pshaw!’ said the master; ‘that means, I suppose, that he did not kick you down-stairs. Foolish boy! after all I said to him. I daresay some of the women have put it into his head to go and distinguish himself. Go up and give my compliments to Mrs.{v.1-319} Severn, and I’d like to speak to her if she is not busy; and mind you don’t say a word of this. Don’t speak of it anywhere. I hope what you’ve said to him, and what I shall say to him, will bring him to his senses. Don’t say a word about it to any soul.’

‘I’ve been trusted with greater secrets,’ said Forrester, with dignity. ‘He’ll tell her, sir, as fast as look at her; and he’ll build more on her advice, though she don’t know half nor a quarter. I’m a going, sir. He thinks a deal more of what she says than of either you or me.’

‘Insufferable old bore!’ Mr. Welby said to himself. ‘Outrageous young ass! It must be those silly women that have bidden him go and distinguish himself. And what have I got to do with it, I’d like to know?’ The truth was the Academician had begun to take a greater interest in Laurie than was consistent with his principles; and he wanted to blame somebody for his favourite’s rebellion. He put down his palette, for he was at work at the moment, and washed his hands, and prepared for the interview he had asked. Perhaps Mr. Welby was doubly ceremonious as a kind of protest against the ease with which other members of the profession penetrated into the padrona’s studio.

‘A lady is a lady, however she may be occupied,’ the old man said. And, in accordance with this principle, Forrester’s mien and voice were very {v.1-320}solemn when he made his appearance up-stairs. ‘Master’s compliments, ma’am, and if you’re not busy he’d like to speak to you,’ he said, standing ceremoniously at the door.

‘Mr. Welby, Forrester?’ said the padrona. ‘Oh, surely; I shall be glad to see him. I hope there’s nothing the matter. Come in and tell me what you think of this. I hope there’s nothing wrong.’

‘No, ma’am; not as I knows of,’ said Forrester, with profound gravity. ‘I don’t know what else could be thought of it, but that it’s a sweet little bit of colour, ma’am. You never done nothing finer nor that flesh. It’s breathing, that is. Miss Alice called me in to have a look at it before you came down.’

‘Miss Alice is always an early bird,’ said the padrona, pleased. ‘I’m glad you like it, Forrester; but I don’t think I’ve got the light quite right here. Tell Mr. Welby I shall be glad to see him; but you look horribly grave, all the same, as if something had gone wrong.’

‘No, ma’am, nothing,’ said Forrester, with a glance over his shoulder;—‘only about Mr. Renton, as we’re afraid is in a bad way.’

‘Good heavens! Laurie! What is the matter with him?’ cried Mrs. Severn. The old man shook his head in the most tragical and desponding way.

‘Master will tell you himself, ma’am,’ Forrester said, withdrawing suddenly out of temptation and closing the door behind him. The padrona did not{v.1-321} know what to think. Laurie had not been visible for a week at least in the Square; but even a young man, with all the proclivities towards mischief common to that animal, cannot go very far wrong in a week. She too prepared for the impending interview, as Mr. Welby was doing. She put away all her working materials, and set the big Louis Quinze fauteuil near the fire for her visitor. She even went so far as to put a sketching-block on the table, and sat down before it with a pencil in her hand, posing half consciously, as an amateur might have posed. The padrona, though she was not timid in general, was a little afraid of her tenant. If she left her picture on the easel it was because there was no time to get it comfortably smuggled away, and some inarticulate beginning placed in its stead. She turned the Louis Quinze, however, with its back to the easel by way of security. A word of approbation from old Welby was worth gold; but yet the risk of obtaining it was one Mrs. Severn did not care to run.

A few minutes after he tapped at the door, and came in, taking off the velvet cap which,—as he knew very well,—had such a picturesque effect on his white hair. The moment he entered the room the padrona saw how vain had been her precaution in turning the Louis Quinze chair. He glanced round him with the quick artist-eye which sees everything, and went up to the easel of course as{v.1-322} politeness required, and delivered his little speech of courteous applause, under which Mrs. Severn discovered not a word of criticism, such as her usual visitors threw about so lightly. ‘I don’t think I have got the light quite here,’ she said, as she had said to Forrester,—but with alarm in her face. ‘Indeed, I don’t see what there is to find fault with,’ Mr. Welby answered, with his old-fashioned bow. Nothing could be more sweet or more unsatisfactory. The padrona almost forgot poor Laurie, as with a flush of vexation on her face she indicated to her visitor the Louis Quinze chair.

‘I hope you are not over-exerting yourself, my dear madam,’ the old painter said. ‘I am struck dumb by your energy. Where I produce one little picture you exhibit half-a-dozen. I admire, but I fear; and, if you will let an old man say so, you must take care not to overwork your brain.’

Tears sprang to the padrona’s eyes; but she kept them fixed steadily on her block, so that the old cynic, who, no doubt, knew all the commonplaces about women’s tears, should not see them. She said, with all the composure she was mistress of, ‘You and I are very different, Mr. Welby. Your one picture, of course, is more than worth my half-dozen; but one must do what one can.’

‘No one knows better than I what Mrs. Severn can do,’ said the R. A., with one of those smiles for which the padrona could have strangled him. ‘I{v.1-323} was but taking the privilege of my age to warn you against overwork,—which is the grand disease of these times, and kills more people than cholera does. Pardon me. I want to speak to you about young Renton, in whom I know you take an interest. I advised him,’ Mr. Welby said, slowly, ‘to give up all idea of producing anything for the moment, and to devote himself to preparatory work,—hard work.’

‘So he told me,’ said the padrona, with a little spirit; for there was no mistaking the implied blame in old Welby’s tone. ‘And so I told him, too.’

‘Then somebody has been undermining us, my dear madam,’ said the R. A. ‘Somebody has been egging up the foolish boy to make a name for himself, and win fame, and so forth. Forrester brings me word that he has begun a great picture. High art, life-size, Edith finding the body of Harold. The young fellow must be mad.’

‘Edith finding the body of Harold!’ repeated Mrs. Severn, bewildered;—and then, what with her personal agitation, what with the curious anti-climax of this announcement after her fears about Laurie, the padrona, we are obliged to confess, burst into a sudden fit of nervous laughter. She laughed till the tears came into her eyes; and, to be sure, old Welby had no way of knowing how near to the surface were those tears before.

‘I confess I do not see the joke,’ he said, slowly.{v.1-324} ‘Of course I have nothing to do with the boy. If he goes and makes a fool of himself, like so many others, it is nothing to me. Indeed, I don’t know who advised him to come here, where one can’t help seeing what he’s about. He would have been a great deal better, and out of one’s way, had he stayed at Kensington Gore.’

‘He was paying four guineas a-week for his rooms at Kensington Gore,’ said the padrona, meekly. ‘It was I who advised him to come to Charlotte Street. A man cannot live on nothing. If he had given all his income for rent——’

‘When I was like him I lived on nothing,’ said the R.A.; ‘but young men now-a-days must have their clubs and their luxuries. Why, what education has he had that he should begin to paint pictures? A few lines scratched on a bit of paper, or dabs of paint on a canvas do well enough for an amateur; but, good heavens, a painter! You don’t see it, ma’am; you don’t see it! Women never do. You think it’s all genius, and nonsense. You will tell me it’s genius that makes a Michael Angelo, I suppose; but, I tell you, it’s hard work.’

‘I do see it,’ said the padrona. ‘Sit down, please, and don’t be angry with me. I see it very well; but I can’t help laughing all the same. It is Laurie’s way. He will never be a Michael Angelo. It is so like him to go and set up a great picture to surprise us. One of these days, if you take no{v.1-325} notice, he will come like Innocence itself, and invite us to go and look at it. I was afraid something was wrong with him; but this quite explains why he stayed away.’

‘And that is all a woman cares for!’ said Mr. Welby. ‘The boy’s quite well, and his absence accounted for; and what does it matter if he makes an ass of himself?’ Here the painter rose, and made a little giro round the room, pausing at the easel with a certain vindictiveness. ‘I wouldn’t give much for that baby’s chances of life,’ he said. ‘The creature will be a cripple if it grows up. It has no joints to its legs; and that little girl’s got her shoulder out. There’s where the elbow should come,’ he went on, making an imaginary line in the air. It was the same picture he had made a pretty speech about when he came into the room, from which it may be perceived that Mrs. Severn’s terror of her lodger’s visit was not without cause.

‘I shall be so glad if you tell me what you see wrong,’ the padrona said, with, I fear, more submission than she felt.

‘Wrong, ma’am,—it’s all wrong!’ cried the R.A.; ‘there’s not a line that could not be mended, nor a limb that is quite in its right place;—but I couldn’t paint such a picture for my life,’ Mr. Welby continued, with a sudden melting in his voice; ‘nor anybody else but yourself. The body’s out of drawing, but the soul’s divine. Light!—nonsense,—the light’s all{v.1-326} as it ought to be; the light’s in that woman’s face. I don’t know how to better it. But this is not what we were talking of,’ he continued, suddenly turning his back on the picture. ‘We were talking of Laurie Renton. What is to be done about this ridiculous boy?’

The padrona was a little disturbed. She was overwhelmed by the praise, feeling all the sweetness of it; and she was pricked, and stung to smarting by the blame. It cost her a considerable effort to master herself, and to bring back her thoughts even to Laurie Renton. ‘You must not be too hard upon him,’ she said, with her voice a little tremulous. ‘A mind that has any energy in it must work in its own way.’ This was said half on Laurie’s account, no doubt, but also half on her own, after the assault she had sustained. ‘I think it would be best not to say too much about his big picture. He will read your disapproval in your eye.’

Mr. Welby shrugged his shoulders. ‘I doubt if a young fellow would take much interest in reading my eye. But he may read yours, perhaps,’ said the cynic, with a questioning glance, which Mrs. Severn was too much occupied to perceive, much less understand. And this was about the end of the consultation. They might admire and warn, and hold up beacons before the unwary youth, but there is no Act of Parliament forbidding a young painter to pu............