Laurence Renton’s state of mind when he left the Manor immediately after his father’s death was very different from that of his brother Ben. He was a different man altogether, as will be seen. He had that unconscious natural generosity of temper and unselfishness of disposition which is more a woman’s quality than a man’s. By instinct, he put himself, as it were, on the secondary level, and considered matters in general rather as they affected other people. It was no virtue in him, and he did not even know it. Such a disposition could scarcely have existed with a passionate or energetic mind; and Laurie was not energetic. He could no more have absorbed himself in a foolish passion as Ben had done, than he could have set to work with the practical sense of his younger brother. He was lazy Laurence under all circumstances; fond of philosophising over his mischances, taking most things very quietly; and he had a faculty of contenting himself with what was pleasant in whatsoever aspect it might{v.1-219} come, which is the very death of ambition in every shape and form. He had occupied some rooms at Kensington, with a pretty studio attached to them, in his father’s lifetime, when money was plentiful. No wonder Mrs. Westbury had mourned over him, and denounced so luxurious a mode of bringing up. He was of course a younger son, and had no pretensions to lead an idle life. Providence seemed indeed to have indicated a public office, or some such moderate occupation, which would have left him time for his favourite dilettantism and required no particular activity or exercise of intellect. But Laurence had been a perplexing subject to deal with all his life. He had been one of those trying boys who have no particular bent one way or another. He was a bright, intelligent, indolent, inaccurate lad, utterly incapable of dates or facts in general, but full of social qualities,—good-natured, tender-hearted, ready to do anything for anybody. And then he had travelled a little, and drifted among an artist set, and from that day hoped and imagined himself capable of art. He had always had a certain facility in drawing, and everybody knows how easy it is to glide into the busy dawdling, the thousand pleasant trifles of occupation which fill the time of an amateur. It seemed to Laurie, as it has seemed to many another, that a life made beautiful by that faculty of discovering beauty which the humblest artist prides himself on possessing,—and the privilege of claiming{v.1-220} a kind of membership with a noble craft,—was superior to the loftiest stool and the most dignified desk even in a Foreign Office. He was proud to call himself, as he often did, ‘a poor painter;’ and, alas! a poor painter in the literal sense of the words Laurie was. He had no genius, poor fellow! only a tender, amiable, pleasant, little talent, which would have led him into verses had his turn been literary. His friends and relations would have been more deeply shocked still had they known what a toss-up it was whether Laurie’s amateurship had taken the literary or artistic turn,—but fortunately it was the latter; and as he made pretty little sketches, and had given them away with charming liberality, and harmed nobody, it was only the high moralists, such as his Aunt Lydia, who found any fault with what he was fond of calling his ‘trade.’ And there was this to be said in his favour, that he had no expensive tastes, and that, given this mode of idleness, which he called work, Laurie’s was about as harmless a life as a young man could lead;—‘especially as he will never need to maintain himself,’ people had been used to say.

All this, however, had changed for him as for his brother. Even Laurie’s modest establishment could not be kept on two hundred a-year; and he had been used to be liberal, and manage his money matters with an easy hand, always ready to help a comrade in distress. So that it was absolutely necessary for him now to{v.1-221} work. He went into his Kensington rooms with feelings not unlike those which moved Ben when he made his melancholy inventory of his things at the Albany. There were accumulations of all kinds in the place. Bits of old carpet, bits of ‘drapery,’ bits of still life, a little china, a little of everything; and a north light, perfect of its kind, in the studio. He had fitted it all up to suit himself, with a hundred handy devices,—stands for his portfolios, velvet-covered shelves, all sorts of nooks for the artistic trumpery which is supposed to be necessary in a studio; and the tiny little sitting-room into which the studio opened had a queer, little, round bow-window, looking into the Park, which was something like a box at the opera without the music. All the world streamed under Laurie’s bow-window coming and going, and many a nod and pleasant smile reached the artist.—save the mark!—in his velvet coat, as he came now and then from behind his fresh flowers to look out upon the fashion and beauty, sometimes with a palette in his hand or maul-stick, on which he leaned as he looked out. It gave him a certain pleasure to pose in this professional way. Perhaps it was as well for the consistency of Laurie’s philosophy that it was September when he came back to Kensington Gore. He went and sat down in his bow-window, and nobody passed,—nobody except the unknown people who stream about London streets all day long, and of whom no one takes any notice. No{v.1-222} doubt there were human figures enough; but the trees were very shabby in the Park, and the grass, as far as he could see, was burnt to a pale yellow, and two nursemaids and one Guardsman had all the expanse to themselves. In these circumstances, perhaps, it was easier to take leave of his pleasant little hermitage. He sat in his window and looked carelessly out, and mused on the change. A pot of China asters, showy enough, yet betokening the winter which approached, replaced all the roses and bright geraniums which generally filled the stand. The season was over, and this kind of thing was over, and the first part of life.

Well! he said to himself,—and no particular harm either. Life was not Kensington Gore. Many admirable artists had lived and died in Fitzroy Square; and there was Turner in Queen Anne Street,—not that one would choose to be like Turner. After all, it was but for half the year that Kensington Gore was desirable. When people were out of town, what did it matter? And then a smile crossed his face as it occurred to him that henceforward he was not likely to be one of those who go out of town. Looking down, his vacant eye caught the succession of figures passing along the pavement; many very well-dressed, well-looking people, not having the least appearance of being outcasts of society. And yet such they must be, or else they would scarcely be there in such numbers in September. Then he went{v.1-223} on to reflect what heaps of people he himself knew who lived in London all the year round, with the exception of a month or two, or a week or two, somewhere for health’s sake. Most painters were of this class. It was but identifying himself more entirely with the art he had chosen; and in that point of view it would be good for him. An amateur is never good for anything, thought Laurie; but a man who has to devote himself to his work without any vain interruptions has a chance to make something of it. Then a gleam of pleasant and conscious vanity, for which he smiled at himself, flitted over his meditations. He could almost see the people pausing before a picture in the Academy,—or two or three pictures for that matter,—why not?—when he had nothing else to do,—and telling each other how the painter had been maltreated by fortune, and how this was the result of it,—hard work and success, and substantial pudding and sweetest praise;—ay, and a reputation very different from that of the dilettante who strolled from his studio to the bow-window, and looked out in his professional costume to receive the salutations of the ladies. ‘There is poor Laurie Renton, who has been so foolish as to take to art and nonsense; but, fortunately, he will never need to be dependent on it.’ That was what the ladies used to say as they passed. How different it would be when they stood before the great picture in the Academy, and read the name in the catalogue.{v.1-224} He saw the expression on certain faces as they read that name. ‘What, Laurie Renton! who would have thought he could ever have been good for anything?’ This was what Laurie called thinking over his changed affairs.

There was one drop of bitterness, however, in his cup which had not been in Ben’s. We have said that when Mrs. Westbury visited Laurie in his room on the night of his father’s funeral, there were some little notes lying on his table, over which he was making himself miserable, with his face hidden in his hands. It is not necessary to mention her name, as she has, unfortunately, nothing to do with this story; but the fact was that there had been somebody whose little notes made Laurie’s heart beat. They had been the simplest kind of letters:—‘Dear Mr. Renton,—Mamma bids me say that she will be very glad if you will come to dinner on Thursday;’—noth............