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CHAPTER XXII. DROPPING THE PILOT
   
“The portrait of a lady,” repeated Loo, slowly. “Young and beautiful. That much I remember.”
The old nobleman had never removed his covering hand from the locket. He had never glanced at it himself. He looked slowly round the peering faces, two and three deep round the table. He was the oldest man present—one of the oldest in Paris—one of the few now living who had known Marie Antoinette.
Without uncovering the locket, he handed it to Barebone across the table with a bow worthy of the old regime and his own historic name.
“It is right that you should be the first to see it,” he said. “Since there is no longer any doubt that the lady was your father's mother.”
Loo took the locket, looked at it with strangely glittering eyes and steady lips. He gave a sort of gasp, which all in the room heard. He was handing it back to the Vicomte de Castel Aunet without a word of comment, when a crashing fall on the bare floor startled every one. A lady had fainted.
“Thank God!” muttered Dormer Colville almost in Barebone's ear and swayed against him. Barebone turned and looked into a face grey and haggard, and shining with perspiration. Instinctively he grasped him by the arm and supported him. In the confusion of the moment no one noticed Colville; for all were pressing round the prostrate lady. And in a moment Colville was himself again, though the ready smile sat oddly on such white lips.
“For God's sake be careful,” he said, and turned away, handkerchief in hand.
For the moment the portrait was forgotten until the lady was on her feet again, smiling reassurances and rubbing her elbow.
“It is nothing,” she said, “nothing. My heart—that is all.”
And she staggered to a chair with the reassuring smile frozen on her face.
Then the portrait was passed from hand to hand in silence. It was a miniature of Marie Antoinette, painted on ivory, which had turned yellow. The colours were almost lost, but the face stood clearly enough. It was the face of a young girl, long and narrow, with the hair drawn straight up and dressed high and simply on the head without ornament.
“It is she,” said one and another. “C'est bien elle.”
“It was painted when she was newly a queen,” commented the Vicomte de Castel Aunet. “I have seen others like it, but not that one before.”
Barebone stood apart and no one offered to approach him. Dormer Colville had gone toward the great fireplace, and was standing by himself there with his back toward the room. He was surreptitiously wiping from his face the perspiration which had suddenly run down it, as one may see the rain running down the face of a statue.
Things had taken an unexpected turn. The Marquis de Gemosac, himself always on the surface, had stirred others more deeply than he had anticipated or could now understand. France has always been the victim of her own emotions; aroused in the first instance half in idleness, allowed to swell with a semi-restraining laugh, and then suddenly sweeping and overwhelming. History tells of a hundred such crises in the pilgrimage of the French people. A few more—and historians shall write “Ichabod” across the most favoured land in Europe.
It is customary to relate that, after a crisis, those most concerned in it know not how they faced it or what events succeeded it. “He never knew,” we are informed, “how he got through the rest of the evening.”
Loo Barebone knew and remembered every incident, every glance. He was in full possession of every faculty, and never had each been so keenly alive to the necessity of the moment. Never had his quick brain been so alert as it was during the rest of the evening. And those who had come to the Hotel Gemosac to confirm their adoption of a figure-head went away with the startling knowledge in their hearts that they had never in the course of an artificial life met a man less suited to play that undignified part.
And all the while, in the back of his mind, there lingered with a deadly patience the desire for the moment which must inevitably come when he should at last find himself alone, face to face, with Dormer Colville.
It was nearly midnight before this moment came. At last the latest guest had taken his leave, quitting the house by the garden door and making his way across that forlorn and weedy desert by the dim light reflected from the clouds above. At last the Marquis de Gemosac had bidden them good night, and they were left alone in the vast bedroom which a dozen candles, in candelabras of silver blackened by damp and neglect, only served to render more gloomy and mysterious.
In the confusion consequent on the departure of so many guests the locket had been lost sight of, and Monsieur de Gemosac forgot to make inquiry for it. It was in Barebone's pocket.
Colville put together with the toe of his boot the logs which were smouldering in a glow of incandescent heat. He turned and glanced over his shoulder toward his companion.
Barebone was taking the locket from his waistcoat pocket and approaching the table where the candles burnt low in their sockets.
“You never really supposed you were the man, did you?” asked Colville, with a ready smile. He was brave, at all events, for he took the only course left to him with a sublime assurance.
Barebone looked across the candles at the face which smiled, and smiled.
“That is what I thought,” he answered, with a queer laugh.
“Do not jump to any hasty decisions,” urged Colville instantly, as if warned by the laugh.
“No! I want to sift the matter carefully to the bottom. It will be interesting to learn who are the deceived and who the deceivers.”
Barebone had had time to think out a course of action. His face seemed to puzzle Colville, who was rarely at fault in such judgments of character as came within his understanding. But he seemed for an instant to be on the threshold of something beyond his understanding; and yet he had lived, almost day and night, for some months with Barebone. Since the beginning—that far-off beginning at Farlingford—their respective positions had been quite clearly defined. Colville, the elder by nearly twenty years, had always been the guide and mentor and friend—the compulsory pilot he had gaily called himself. He had a vast experience of the world. He had always moved in the best French society. All that he knew, all the influence he could command, and the experience upon which he could draw were unreservedly at Barebone's service. The difference in years had only affected their friendship in so far as it defined their respective positions and prohibited any thought of rivalry. Colville had been the unquestioned leader, Barebone the ready disciple.
And now in the twinkling of an eye the positions were reversed. Colville stood watching Barebone's face with eyes rendered almost servile by a great suspense. He waited breathless for the next words.
“This portrait,” said Barebone, “of the Queen was placed in the locket by you?”
Colville nodded with a laugh of conscious cleverness rewarded by complete success. There was nothing in his companion's voice to suggest suppressed anger. It was all right after all. “I had great difficulty in finding just what I wanted,” he added, modestly.
“What I remember—though the memory is necessarily vague—was a portrait of a woman older than this. Her style of dress was more elaborate. Her hair was dressed differently, with sort of curls at the side, and on the top, half buried in the hair, was the imitation of a nest—a dove's nest. Such a thing would naturally stick in a child's memory. It stuck in mine.”
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