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GERUSALEMME LIBERATA, OR JERUSALEM DELIVERED
Torquato Tasso, one of the three great Italian poets, was born at Sorrento in 1544, and, after receiving his education in various Italian cities, conceived, while at the University of Padua, the idea of writing an epic poem, using an episode in the First Crusade as his theme. In 1572 Tasso became attached to the court of Ferrara, where the duke and his two sisters delighted in his verses, admired his pastoral Aminta, and urged him to finish his projected epic.

During his sojourn at this court Tasso fell in love with Eleonora, sister of the duke, to whom he read the various parts of his epic as he completed them, and for whose sake he lingered at Ferrara, refusing offers of preferment at Paris and at Florence. Although he completed his epic in 1575, he did not immediately publish it, but sent copies to Rome and Padua for criticism. The learned men to whom he submitted his poem criticised it so freely that the poet's sensitive nature was greatly injured thereby. Almost at the same time the duke discovered the poet's passion for his sister. Furious to think Tasso should have raised his eyes to a princess, yet afraid he should carry his talents elsewhere, the duke, pretending to deem him insane, placed him under close surveillance. While Tasso was thus a prisoner, sundry false accusations were brought against him and his poem was published without his consent.

Although Tasso contrived several times to escape from Ferrara, he invariably came back there, hoping to be reconciled to the duke. It was only in 1586 that he left this place for good and betook himself to Rome and Naples, where he was forced to live on charity. Just as he was about to be publicly crowned in Rome for his epic, he died there, at the age of fifty-two (1595).

The epic "Jerusalem Delivered" contains an account of the Crusade of 1099 and extends over a period of forty days. It is divided into twenty cantos, written in ottava rima, or eight-rhymed stanzas, and, owing to its rhythmic perfection, is still sung by Italian bards to popular audiences.

Canto I. After stating exactly what task he proposes to perform in his poem, the poet describes how the Eternal Father, sitting on His heavenly throne, gazes down upon the plain of Tortosa, where the Crusaders are assembled. Six years have elapsed since they set out from Europe, during which time they have succeeded in taking Nicaea and Antioch, cities now left in charge of influential Crusaders. But Godfrey of Bouillon is pushing on with the bulk of the army, because he is anxious to wrest Jerusalem from the hands of the infidels and restore it to the worship of the true God. While he is camping on this plain, God sends Gabriel to visit him in sleep and inspire him with a desire to assemble a council, where, by a ringing speech, he will rouse the Christians to immediate action.

On awakening from this vision, Godfrey loses no time in convening such an assembly, and there eloquently urges the Christians to fight, declaring their efforts have failed hitherto mainly because they have lacked purpose and unity. Hearing this, Peter the Hermit suggests the Crusaders should select one chief, whose orders they will obey, and thereupon the warriors present unanimously elect Godfrey of Bouillon as leader. Having secured this exalted post, Godfrey reviews his force, thus giving the poet an occasion to enumerate the leaders of the different corps, or armies, and explain from what countries they come. Amongst other resounding names, the poet specially mentions Edward and his fair bride Gildippe, who, unwilling to be parted from her spouse, has donned a man's armor and followed him to the Crusade. Among the bravest fighters there, he also quotes Tancred, who, however, seems listless, and has accomplished no deed of valor since he beheld near a fountain and fell in love with Clorinda, a fair Amazon.

  To the same warbling of fresh waters drew,
  Arm'd, but unmhelm'd and unforeseen, a maid;
  She was a pagan, and came thither too
  To quench her thirst beneath the pleasant shade;
  Her beautiful fair aspect, thus display'd,
  He sees; admires; and, touch'd to transport, glows
  With passion rushing to its fountain head,
  The heart; 'tis strange how quick the feeling grows;
  Scarce born, its power in him no cool calm medium knows.

Another hero is Rinaldo (the same as the French Renaud de Montauban), who, although but a boy, escaped from his foster mother, Queen Mathilda, to go and fight for the deliverance of the Holy Sepulchre. His review completed, Godfrey of Bouillon orders his force to march on toward Jerusalem, whence he wishes to oust the Sultan Aladine (Saladin), who at present is sorely taxing the Christians to obtain funds enough to make war against the advancing Crusaders.

Canto II. Advised by the sorcerer Ismeno, Aladine steals the image of the Virgin from the Christian temple, and sets it up in his mosque, where he resorts to all manner of spells and incantations to destroy her power. During the night, however, the Virgin's image disappears from the mosque and cannot be found, although Aladine offers great rewards for its restoration. Finally, he decrees that, unless the perpetrator of the theft denounces himself, he will slay all the Christians in the town. He is about to execute this cruel threat when Sophronia, a Christian maid, suddenly decides to sacrifice herself to save her co-religionists. She therefore appears before Aladine, declaring she stole the image from the temple, whereupon the sultan in anger orders her bound to the stake and burned alive.

    Doom'd in tormenting fire to die, they lay
    Hands on the maid; her arms with rough cords twining,
    Rudely her mantle chaste they tear away,
    And the white veil that o'er her droop'd declining:
    This she endured in silence unrepining,
    Yet her firm breast some virgin tremors shook;
    And her warm cheek, Aurora's late outshining,
    Waned into whiteness, and a color took,
  Like that of the pale rose or lily of the brook.

Scarcely has Sophronia been fastened there, and while she is praying for God's aid to endure martyrdom without flinching, Olindo, a young Christian, deeming it impossible to allow a girl to sacrifice her life, rushes forward, declaring he alone committed the crime, but that the maiden, out of love for him, has assumed his guilt to save his life. Only then does he discover that the maiden tied to the stake is the very one he loves, but who hitherto has received his advances coldly! On hearing the youth accuse himself of having stolen the image, Aladine questions the maiden, who denies it, insisting she alone is to blame. Thereupon the sultan decrees both shall perish in the flames, and orders them tied to the stake back to back. It is in this position, and while in imminent peril of death, that the young man deplores the fact he is to die beside the one he hoped to marry and with whom he expected to spend a long and happy life. The executioners are about to set fire to the pyre where these generous young lovers are to end their days, when a young knight steps forward loudly proclaiming none of the Christians are to blame for the disappearance of the image, since Allah himself removed it from the temple because he considered it desecration to have such an image within its walls. This young knight turns out to be the warrior maid Clorinda, who not only convinces Aladine that the young people are guiltless, but bribes him to release them, in exchange for her services in the coming war. Touched by each other's devotion, the young couple marry as soon as released, and, instead of dying, live together as husband and wife.

    Restored to life and liberty, how blest,
    How truly blest was young Olindo's fate!
    For sweet Sophronia's blushes might attest,
    That Love at length has touch'd her delicate
    And generous bosom; from the stake in state
    They to the altar pass; severely tried,
    In doom and love already made his mate,
    She now objects not to become his bride,
  And grateful live with him who would for her have died.

Meanwhile two ambassadors have come from Egypt to visit Godfrey in his camp, and try first by persuasions and then by threats to dissuade him from his projected attack upon Jerusalem. In spite of all Alethes and Argantes can say, Godfrey insists upon carrying out his purpose, and, after dismissing these ambassadors with a haughty speech, marches on with his host.

   "Know, then, that we have borne all this distress
   By land and sea,—war, want, reverses—all!
   To the sole end that we might gain access
   To sacred Salem's venerable wall;
   That we might free the Faithful from their thrall,
   And win from God His blessing and reward:
   From this no threats our spirit can appal,
   For this no terms will be esteem'd too hard—
  Life, honors, kingdoms lost, or dignity debarr'd."

Canto III. When they come within sight of Jerusalem, the Crusaders, overjoyed, hail the Holy City with cries of rapture, and, falling on their knees, swear to deliver it from the hands of the infidels. Seeing them advance, the pagans make hasty preparations to oppose them, and Clorinda, at the head of a small force, volunteers to make a sortie and boldly attacks the vanguard of the Crusaders.

From the topmost tier of Jerusalem's ramparts, the Sultan Aladine watches their sortie, having beside him Erminia, daughter of the late king of Antioch, whom the Crusaders have sent on to Jerusalem, because they do not care to detain her a prisoner. During her sojourn in her father's town, Erminia has learned to know by sight all the Crusaders, and during her brief captivity she has fallen in love with Tancred, who was detailed to guard her. She can therefore give the Sultan Aladine all the information he wishes, and acts as cicerone while the battle is going on. From this point of vantage the sultan and princess watch Clorinda and Tancred meet, and behold how, after a lively encounter, Tancred strikes off the helmet of his opponent, whose sex is revealed by the streaming of her long golden hair. At sight of the wonderful maiden with whom he has fallen in love, Tancred refuses to continue the fight, although Clorinda urges him to strike. Undaunted by the fact that she is his foe, Tancred not only refuses to strike, but immediately begins to sue the beautiful maiden, who refuses to listen to him, and is soon swept away by Saracen forces, which intervene between her and Tancred.

A battle now rages, in the course of which various knights perform great deeds, but, although Godfrey proves victor on this occasion, he loses Dudon, chief of his Adventurous Band and one of the bravest warriors in his army. While giving her explanations to Aladine in regard to the fight waged beneath their eyes, Erminia carefully explains she feels deadly hatred for Tancred, although the truth is she loves him dearly and is greatly relieved to see him escape from the fray uninjured.

Many people having died in the course of this action, a truce is agreed upon so that both sides may bury their dead, and so, many funerals are celebrated with all due pomp and ceremony. Next the crusading force decides that siege-engines and towers will be necessary to enable them to scale the high walls of Jerusalem. They therefore send out a force of woodsmen to hew the trees which are to serve for the construction of the required towers.

    The duke, when thus his piety had paid
    The fun'ral rites, and shed his duteous tears,
    Sent all his skill'd mechanics to invade
    The forest, guarded by a thousand spears;
    Veil'd by low hills it stood, the growth of years,—
    A Syrian shepherd pointed out the vale,
    And thither brought the camp-artificers
    To fabricate the engines doom'd to scale
  The City's sacred towers and turn her people pale.

Canto IV. The scene now changes to the infernal regions, where Satan deems it time to frustrate the Christians' aims, because it would ill-suit diabolical ends to have them recover possession of Jerusalem. Not only does Satan stimulate his hosts by reminding them of their forfeited bliss, but he encourages them to thwart the Christians by reminding them of the great deeds they have already done. His eloquence is not expended in vain, for the fiends all approve of his suggestions, and, when the council is over, flit forth, intent upon fomenting dissension among the leaders of the Crusade, and hindering their attempts in every other way possible.

One demon in particular is to determine a wizard to send his niece Armida to ensnare the Christians. This enchantress, decked out with all the charms beauty and toilet can bestow, soon appears in the Christian camp, where, falling at Godfrey's feet, she proceeds to relate a tale of fictitious wrongs, claiming to be heiress of the city of Damascus, whence she has been ejected, and vowing if she could only secure the aid of a few knights she would soon recover her realm. In return for such aid as she implores from the Christians, she promises to do homage to them for her realm, and even pledges herself to receive baptism. Her artful speeches, the flattery which she lavishes upon Godfrey, and her languishing glances are all calculated to persuade him to grant her request; but the Crusader is so bent upon the capture of Jerusalem that nothing can turn him aside from his purpose.

But, although Godfrey himself is proof against all Armida's blandishments, his knights are not, and among those who succumb to the lady's charms is his own brother Eustace, who begs his permission to take ten knights and accompany the damsel to Damascus. Although Armida professes great gratitude for this help, she entices many other Crusaders to desert the camp, by casting languishing glances at them and making each man whom she looks upon believe she loves him only.

    All arts th' enchantress practised to beguile
    Some new admirer in her well-spread snare;
    Nor used with all, nor always the same wile,
    But shaped to every taste her grace and air:
    Here cloister'd is her eye's dark pupil, there
    In full voluptuous languishment is roll'd;
    Now these her kindness, those her anger bear,
    Spurr'd on or check'd by bearing frank or cold,
  As she perceived her slave was scrupulous or bold.

Canto V. Not content with beguiling many knights, Armida further foments a quarrel between Rinaldo and Gernando, Prince of Norway, in regard to the command of the Adventurous Band, which is now without a leader. In the course of this quarrel, Rinaldo is so sorely taunted by his opponent that, although the Crusaders are pledged not to fight each other, he challenges and slays Gernando. Then, afraid to be called to trial and sentenced to death for breaking the rules of the camp, Rinaldo flees to Egypt.

On perceiving how greatly his army is weakened by the desertion of so many brave men, Godfrey is dismayed—all the more so because he hears the Egyptian army is coming to attack him, and because the supplies which he expected have been cut off.

Canto VI. The Egyptian army boasts of no braver warrior than Argantes, who sallies forth to challenge the Christians, bidding Clorinda follow him at a short distance, and come to his rescue should it be necessary. Although Argantes has summoned Godfrey to come forth and fight him, it is Tancred who is chosen as champion for the Christians, but as he draws near his opponent a glimpse of the fair Clorinda's face makes him forget everything but her.

    He noted not where the Circassian rear'd
    His frightful face to the affronted skies,
    But to the hill-top where his Love appear'd,
    Turn'd, slack'ning his quick pace, his am'rous eyes,
    Till he stood steadfast as a rock, all ice
    Without, all glowing heat within;—the sight
    To him was as the gates of Paradise;
    And from his mind the mem'ry of the fight
  Pass'd like a summer cloud, or dream at morning light.

One of the knights in his train, seeing he is not going to fight, spurs forward and meets Argantes, by whom he is defeated. On seeing this knight fall, Tancred, suddenly brought to his senses, starts forward to avenge him, and combats with such fury that Argantes' armor fairly rings with the blows which rain down upon him. Argantes, however, is nearly as brave as Tancred, so the battle rages until nightfall, when the heroes are separated by the heralds, although both vow they will renew the struggle on the morrow. But, when they have ceased fighting and both discover they have serious wounds, their respective armies decree a six-days' truce and pledge themselves to await the result of the duel.

The wounded Argantes has returned to Jerusalem, where Erminia uses her magic balsams to heal his wounds, secretly wishing meanwhile that she might lavish her care upon Tancred, whom she still loves. So ardent is her desire to behold him, that she finally appropriates Clorinda's armor and rides off to the Christian camp, sending a messenger ahead to announce a lady is coming to heal Tancred if he will give her a sa............
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