Love's war was declared. From hour to hour of that night and the next morning, in bed, at board, dressing for the thronged city, spinning with Constance and Miranda up Love Street across Piety and Desire and on into the town's centre, Anna, outwardly all peace, planned that war's defensive strategy. Splendidly maidenly it should be, harrowingly arduous to the proud invader, and long drawn out. Constance should see what a man can be put through. But oh, but oh, if, after all, the invasion should not come!

In those days New Orleans paved her favorite streets, when she paved them at all, with big blocks of granite two feet by one. They came from the North as ballast in those innumerable wide-armed ships whose cloud of masts and cordage inspiringly darkened the sky of that far-winding river-front where we lately saw Hilary Kincaid and Fred Greenleaf ride. Beginning at the great steamboat landing, half a mile of Canal Street had such a pavement on either side of its broad grassy "neutral ground." So had the main streets that led from it at right angles. Long afterward, even as late as when the Nineteenth Century died, some of those streets were at the funeral, clad in those same old pavements, worn as smooth and ragged as a gentleman-beggar's coat. St. Charles Street was one. Another was the old Rue Royale, its squat ground-floor domiciles drooping their mossy eaves half across the pinched sidewalks and confusedly trying to alternate and align themselves with tall brick houses and shops whose ample two-and three-story balconies were upheld, balustraded, and overhung by slender garlandries of iron openwork as graceful and feminine as a lace mantilla. With here and there the flag of a foreign consul hanging out and down, such is the attire the old street was vain of in that golden time when a large square sign on every telegraph pole bade you get your shirts at S.N. Moody's, corner of Canal and Royal Streets.

At this corner, on the day after the serenade, there was a dense, waiting crowd. On the other corner of Royal, where the show-windows of Hyde & Goodrich blazed with diamonds, and their loftily nested gold pelican forever fed her young from her bleeding breast, stood an equal throng. Across Canal Street, where St. Charles opens narrowly southward, were similar masses, and midway between the four corners the rising circles of stone steps about the high bronze figure of Henry Clay were hidden by men and boys packed as close as they could sit or stand. A great procession had gone up-town and would by and by return. Near and far banners and pennons rose and fell on the luxurious air, and the ranks and ranks of broad and narrow balconies were so many gardens of dames and girls, parasols, and diaphanous gowns. Near the front of the lowest Hyde & Goodrich balcony, close by the gilded pelican, sat the Callenders, all gladness, holding mute dialogues with Flora and Madame Valcour here on the balcony of Moody's corner. It was the birthday of Washington.

Not of him, however, did Flora and her grandmother softly converse in Spanish amid the surrounding babel of English and French. Their theme was our battery drill of some ten days before, a subject urged upon Flora by the mosquito-like probings of Madame's musically whined queries. Better to be bled of almost any information by the antique little dame than to have her light on it some other way, as she had an amazing knack of doing. Her acted part of things Flora kept untold; but grandma's spirit of divination could unfailingly supply that, and her pencilled brows, stiff as they were, could tell the narrator she had done so.

Thus now, Flora gave no hint of the beautiful skill and quick success with which, on her homeward railway trip with Greenleaf that evening, she had bettered his impressions of her. By no more than a gentle play of light and shade in her smile and an undulating melody of voice--without a word that touched the wound itself, but with a timid glow of compassionate admiration--she had soothed the torture of a heart whose last hope Anna had that same hour put to death.

"But before he took the train with you," murmured the mosquito to the butterfly, "when he said the General was going to take Irby upon his staff and give the battery to Kincaid, what did you talk of?"

"Talk of? Charlie. He said I ought to make Charlie join the battery."

"Ah? For what? To secure Kincaid's protection of your dear little brother's health--character--morals--eh?"

"Yes, 'twas so he put it," replied Flora, while the old lady's eyebrows visibly cried:

"You sly bird! will you impute all your own words to that Yankee, and his to yourself?"

Which is just what Flora continued to do as the grandma tinkled: "And you said--what?"

"I said if I couldn't keep him at home I ought to get him into the cavalry. You know, dear, in the infantry the marches are so cruel, the camps so--"

"But in the artillery," piped the small dame, "they ride, eh?" (It was a trap she was setting, but in vain was the net spread.)

"No," said the serene girl, "they, too, go afoot. Often they must help the horses drag the guns through the mire. Only on parade they ride, or when rushing to and fro in battle, whips cracking, horses plunging, the hills smoking and shaking!" The rare creature sparkled frankly, seeing the battery whirling into action with its standard on the wind--this very flag she expected presently to bestow.

"And with Kincaid at the head!" softly cried the antique.

The girl put on a fondness which suddenly became a withering droop of the eyes: "Don't mince your ............