"Some idiot," remarked Eustace Vernon, sipping Vermouth at a little table, "insists that, if you sit long enough outside the Café de la Paix, you will see everyone you have ever known or ever wanted to know pass by. I have sat here for half-an-hour—and—voila."

"You met me, half an hour ago," said the other man.

"Oh, you!" said Vernon affectionately.

"And your hat has gone off every half minute ever since," said the other man.

"Ah, that's to the people I've known. It's the people I've wanted to know that are the rarity."

"Do you mean people you have wanted to know and not known?"

"There aren't many of those," said Vernon; "no it's—Jove, that's a sweet woman!"

"I hate the type," said the other man briefly: "all clothes—no real human being."

The woman was beautifully dressed, in the key whose harmonies are only mastered by Frenchwomen and Americans. She turned her head as her carriage passed, and Vernon's hat went off once more.

"I'd forgotten her profile," said Vernon, "and she's learned how to dress since I saw her last. She's quite human, really, and as charming as anyone ought to be."

"So I should think," said the other man. "I'm sorry I said that, but I didn't know you knew her. How's trade?"

"Oh, I did a picture—well, but a picture! I did it in England in the Spring. Best thing I've done yet. Come and see it."

"I should like to look you up. Where do you hang out?"

"Eighty-six bis Rue Notre Dame des Champs," said Vernon. "Everyone in fiction lives there. It's the only street on the other side that authors seem ever to have dreamed of. Still, it's convenient, so I herd there with all sorts of blackguards, heroes and villains and what not. Eighty-six bis."

"I'll come," said the other man, slowly. "Do you know, Vernon, I'd like awfully to get at your point of view—your philosophy of life?"

"Haven't you got one, my dear chap!—'sufficient unto' is my motto."

"You paint pictures,", the other went on, "so very much too good for the sort of life you lead."

Vernon laughed.

"My dear Temple," he said, "I live, mostly, the life of a vestal virgin."

"You know well enough I'm not quarrelling with the way you spend your evenings," said his dear Temple; "it's your whole outlook that doesn't match your work. Yet there must be some relation between the two, that's what I'd like to get at."

There is a bond stronger than friendship, stronger than love—a bond that cannot be forged in any other shop than the one—the bond between old schoolfellows. Vernon had sometimes wondered why he "stood so much" from Temple. It is a wonder that old schoolfellows often feel, mutually.

"The subject you've started," said he, "is of course, to me, the most interesting. Please develop your thesis."

"Well then, your pictures are good, strong, thorough stuff, with sentiment—yes, just enough sentiment to keep them from the brutality of Degas or the sensualism of Latouche. Whereas you, yourself, seem to have no sentiment."

"I? No sentiment! Oh, Bobby, this is too much! Why, I'm a mass of it! Ask—"

"Yes, ask any woman of your acquaintance. That's just it—or just part of it. You fool them into thinking—oh, I don't know what; but you don't fool me."

"I haven't tried."

"Then you're not brutal, except half a dozen times in the year when you—And I've noticed that when your temper goes smash your morals go at the same time. Is that cause or effect? What's the real you like, and where do you keep it?"

"The real me," said Vernon, "is seen in my pictures, and—and appreciated by my friends; you for instance, are, I believe, genuinely attached to me."

"Oh, rot!" said Bobby.

"I don't see," said Vernon, moving his iron chair to make room for two people at the next table, "why you should expect my pictures to rhyme with my life. A man's art doesn't rhyme with his personality. Most often it contradicts flatly. Look at musicians—what a divine art, and what pigs of high priests! And look at actors—but no, one can't; the spectacle is too sickening."

"I sometimes think," said Temple, emptying his glass, "that the real you isn't made yet. It's waiting for—"

"For the refining touch of a woman's hand, eh? You think the real me is—Oh, Temple, Temple, I've no heart for these childish imaginings! The real me is the man that paints pictures, damn good pictures, too, though I say it."

"And is that what all the women think?

"Ask them, my dear chap; ask them. They won't tell you the truth."

"They're not the only ones who won't. I should like to know what you really think of women, Vernon."

"I don't think about them at all," lied Vernon equably. "They aren't subjects for thought but for emotion—and even of that as little as may be. It's impossible seriously to regard a woman as a human being; she's merely a dear, delightful, dainty—"

"Plaything?"

"Well, yes—or rather a very delicately tuned musical instrument. If you know the scales and the common chords, you can improvise nice little airs and charming variations. She's a sort of—well, a penny whistle, and the music you get depends not on her at all, but on your own technique."

"I've never been in love," said Temple; "not seriously, I mean," he hastened to add, for Vernon was smiling, "not a life or death matter, don't you know; but I do hate the way you talk, and one of these days you'll hate it too."

Miss Desmond's warning floated up through the dim waters of half a year.

"So a lady told me, only last Spring," he said. "Well, I'll take my chance. Going? Well, I'm glad we ran across each other. Don't forget to look me up."

Temple moved off, and Vernon was left alone. He sat idly smoking cigarette after cigarette, and watched the shifting crowd. It was a bright October day, and the crowd was a gay one.

Suddenly his fingers tightened on his cigarette,—but he kept the hand that held it before his face, and he bent his head forward.

Two ladies were passing, on foot. One was the elder Miss Desmond—she who had warned him that one of these days he would be caught—and the other, hanging lovingly on her aunt's arm, was, of course, Betty. But a smart, changed, awakened Betty! She was dressed almost as beautifully as the lady whose profile he had failed to recognise, but much more simply. Her eyes were alight, and she was babbling away to her aunt. She was even gesticulating a little, for all the world like a French girl. He noted the well-gloved hand with which she emphasized some point in her talk.

"That's the hand," he said, "that I held when we sat on the plough in the shed and I told her fortune."

He had risen, and his feet led him along the road they had taken. Ten yards ahead of him he saw the swing of the aunt's serviceable brown skirt and beside it Betty's green and gray.

"I am not breaking my word," he replied to the Inward Monitor. "Who's going out of his way to speak to the girl?"

He watched the brown gown and the green all the way down the Boulevard des Capucines, saw them cross the road and go up the steps of the Madeleine. He paused at the corner. It was hard, certainly, to keep his promise; yet so far it was easy, because he could not well recall himself to the Misses Desmond on the ground of his having six months ago involved the one in a row with her relations, and discussed the situation afterwards with the other.

"I do wonder where they're staying, though," he told himself. "If one were properly introduced—?" But he knew that the aunt would consider no introduction a proper one that should renew his acquaintance with Betty.

"Wolf, wolf," he said, "let the fold alone! There's no door for you, and you've pledged your sacred word as an honourable wolf not to jump any more hurdles."

And as he stood musing, the elder Miss Desmond came down the church steps and walked briskly away.

Some men would, doubtless, have followed her example, if not her direction. Vernon was not one of these. He found himself going up the steps of the great church. He had as good a right to go into the Madeleine as the next man. He would probably not see the girl. If he did he would not speak. Almost certainly he would not even see her.

But Destiny had remembered Mr. Vernon once more. Betty was standing just inside the door, her face upturned, and all her soul in her eyes. The mutterings of the organ and the voices of boys filled the great dark building.

He went and stood close by her. He would not speak. He would keep his word. But she should have a chance of speaking. His eyes were on her face. The hymn ended. She exhaled a held breath, started and spoke.

"You?" she said, "you?" The two words are spelled alike. Spoken, they are capable of infinite variations. The first "you" sent Vernon's blood leaping. The second froze it to what it had been before he met her. For indeed that little unfinished idyll had been almost forgotten by the man who sat drinking Vermouth outside the Café de la Paix.

"How are you?" he whispered. "Won't you shake hands?"

She gave him a limp and unresponsive glove.

"I had almost forgotten you," she said, "but I am glad to see you—because—Come to the door. I don't like talking in churches."

They stood on the steps behind one of the great pillars.

"Do you think it is wise to stand here?" he said. "Your aunt might see us."

"So you followed us in?" said Betty with perfect self-possession. "That was very kind. I have often wished to see you, to tell you how much obliged I am for all your kindness in the Spring. I was only a child then, and I didn't understand, but now I quite see how good it was of you."

"Why do you talk like that?" he said. "You don't think—you can't think it was my fault?"

"Your fault! What?"

"Why, your father finding us and—"

"Oh, that!" she said lightly. "Oh, I had forgotten that! Ridiculous, wasn't it? No, I mean your kindness in giving so many hours to teaching a perfect duffer. Well, now I've seen you and said what I had to say, I think I'll go back."

"No, don't go," he said. "I want to know—oh, all sorts of things! I can see your aunt from afar, and fly if she approaches."

"You don't suppose," said Betty, opening her eyes at him, "that I shan't tell her I've seen you?"

He had supposed it, and cursed his clumsiness.

"Ah, I see," she went on, "you think I should deceive my aunt now because I deceived my step-father in the Spring. But I was a ch............