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CHAPTER XXIII THE MONEY BOX
"What did he say?"

"Who was he?"

"What was his object?"

These, and a dozen other questions like them, were showered on Sandy Apgar when he arrived at the farm, some little time later, after having seen the mysterious man safely locked up in the town jail.

"Now there's no use askin' me who he is, or what he wants," declared the young farmer. "All I know is that I caught him. He won't talk."

"You did a good piece of work," declared Mr. Pertell, "and a day or so of jail food may make the fellow change his mind. Well, it's too late to do any moving pictures to-day. We'll put off the barn-burning until to-morrow."

"Well, there's one thing we can't put off until to-morrow and that is looking after that dog," remarked Sandy. "The poor fellow may be frantic by now."

"May we go with you?" asked Alice.

"Surely," answered Sandy.

"Come along, Ruth—and anybody else who wants to," she added.

"Count me in!" exclaimed Paul.

"The same here," laughed Russ.

So the five set off for the lonely cabin.

"I can't understand how the dog came to be there, though," mused Russ, as they walked on through the woods. "That fellow wasn't at the cabin the last time we looked."

"But that was several days ago," Paul reminded him. "He may have been staying there ever since, thinking we had given up going there. That's very likely it."

And this proved to be the case. The man had apparently moved back into the cabin. The room was arranged about as it had been the day the girls took shelter in the place, but there was this change—that a fine collie dog was chained near the big fireplace.

And if ever a dog was glad to see anyone it was that same collie. He jumped about, barking joyfully, but was held back by a strong chain, fastened to his collar.

"Poor fellow!" exclaimed Sandy kindly, and the dog wagged his tail in friendly greeting.

"Oh, I wish we could keep him!" exclaimed Alice, who loved animals.

"I guess we'll have to—until that feller gits out of jail," spoke the young farmer. "They won't allow no animals in the lockup. We'll take him to the farm."

The dog made friends at once, and seemed particularly fond of Alice. She was patting him, when she happened to turn his collar around. A brass plate came into view and as the girl read something on it she uttered a cry of surprise.

"Look!" she exclaimed. "This is the lost dog!"

"What lost dog?" asked Russ.

"Don't you remember—the one Mrs. Delamont lost when we were in the wreck, coming up here. See, there is his name—Rex III. We have found him for her. How glad she will be!"

"You're right!" exclaimed Paul, after examining the collar. "Here are the initials 'H. A. D.' Weren't those hers?" he asked of Ruth.

"Yes, I have her name and address," replied the girl. "We must send her word at once."

"I don't understand how the man got the dog," observed Russ.

"He might have been at the scene of the wreck, and when he saw the chance he slipped into the baggage car and took Rex," explained Paul. "I suppose he'll tell about that, if he ever confesses. It's a queer business all around."

The fine dog seemed to like his new friends, and skipped and frisked about them as they went back to Oak Farm. And there the dog made his home, though it would not be for long, since Mrs. Delamont would be sure to send for her prize pet when she learned where he was.

"Oh, but I shall hate to let you go!" cried Alice, as she put her arms about the neck of Rex.

"Well, I hope there won't be no more interruptions or delays," remarked Mr. Pertell the next day. "We must get that barn-burning film sure, for I have some other plans to carry out, with winter coming on."

"You don't mean to say you're going to keep on in this moving picture business all winter, do you?" asked Mr. Sneed.

"I certainly do," remarked the manager.

"Well, all I've got to say is that we'll freeze to death," went on the "grouch" in gloomy tones. "You can count me out of it," he added. "I'm not going to freeze for anybody."

"No one asked you to," replied the manager. "Come now, everyone get ready for the fire scene. We'll go over it once more, to be sure we're all right for the final. The roof will be cut and then we'll touch off the place.

"Sandy, see to it that there are plenty of pails of water for the bucket brigade. Mr. Bunn, you're to be one of that crowd, you remember."

"Yes," responded the actor, with a heavy sigh. "I suppose I must lower my art to the level of the movies. Oh, why did I ever get into this wretched business?"

Ruth, Alice and the others went out to the old barn. All was in readiness for the big scene. The ladder for the rescue of the moving picture girls was in readiness, and Paul and Mr. Sneed made sure that it was safe.

"Now then, carpenter, up on the roof with you, and cut out that section so there won't be any doubt but what it will come loose readily when Paul chops at it with his axe," ordered the manager.

The carpenter began his work. He ascended to the roof by the ladder, and was soon cutting and sawing away. The others watched him, half idly, little prepared for the dramatic scene that was to follow. Mr. and Mrs. Apgar had come out to witness the making of the fire film.

"I'll sort of hate to see the old barn go, useless as it is," said the farmer. "It was one of the first buildin's on the farm, and Uncle Isaac used to be terrible fond of stayin' out here. In fact before he died he spent a lot of time out here after th' accident, sittin' all by himself, and sometimes talking a lot of nonsense. His mind was goin' then, I reckon, only none of us knowed it. Yes, poor Uncle Isaac was terrible fond of this old barn, and I sure will hate to see it go up in smoke."

"I wish Uncle Isaac had been fonder of business, an' had left some word where his money went—and ours, too," observed Sandy. "I don't want to blame him for what he couldn't help, but it sure is hard for us!"

The carpenter was chopping away, taking off a section of the roof, to afford easy egress for Ruth and Alice when the time should come. Suddenly he uttered a cry of surprise.

"What's the matter—cut yourself?" called Sandy.

"No, but I've cut into something queer. Better come up here and see what it is—I don't want to touc............
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