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CHAPTER XVII. INCONVENIENT MEMORIES.
Up to this time those of the apes who had once been articles of merchandise in Philip Garland’s establishment gave no signs of remembering their past treatment, and he congratulated himself, even amid his troubles, that they did not take it into their apish heads to put him through the same course of training as he formerly practiced.

This lack of memory was only temporary, however, as he soon had the best of reasons to know, and never did a man repent more bitterly his attempts at animal-training than Philip on this eventful evening, while his long-tailed hosts were indulging in the gayeties of a ball.

The sport was at its height. The partially-clad apes were whirling around the room, evidently enjoying the dance as much as ever their masters and mistresses did; and Philip stood in one corner, hidden by the throng, watching for an opportunity to make his escape through one of the half-opened windows leading to the front veranda. He believed the apes had for the time being forgotten him, but in this he made a sad mistake.

Suddenly a large monkey, who had formed a part[135] of the collection sold to Captain Seaworth’s officers, came close to his old master. Philip recognized him as one whom he had taught, after much labor and many blows, to play the banjo, and from the expression of the animal’s face he understood that further trouble for himself was near at hand.

The monkey scanned him so long and intently that half a score of the dancers ceased their sport and gathered around, full of curiosity to learn what was to be done with this specimen of the human tribe.

It was as if the animal had tried to attract the attention of his comrades. When there was a sufficient number around to prevent any possibility of the animal-trainer’s escape, the monkey went to that portion of the room where one of the banjos was hanging, and, taking down the instrument, thrust it into Philip’s hands as he uttered a hoarse cry in a commanding voice.

At this moment the other members of the company who had formerly belonged to Philip’s establishment gathered around in high glee, and there could be no mistake as to their intentions. As the animal-trainer had taught his articles of merchandise, so now they were going to teach him, and the lesson would unquestionably be painful as well as humiliating.

For an instant Philip’s pride prevented him from playing the part of musician to the monkey-dancers, and he shook his head as if to say it was impossible. Almost at the same moment he regretted having refused,[136] for the monkey immediately struck him across the face with the instrument, dealing such a blow as sent the unfortunate captive staggering back against the wall.

Again was the punishment about to be repeated, but before the blow could be delivered Philip suddenly remembered how to play, and, swallowing his pride as best he could, took the banjo, running his fingers lightly across the strings.

At this new phase in the game of monkey-turned-trainer Goliah joined the party, and his memory proved to be even more perfect than that of the others.

It had been Philip’s greatest achievement in the education of these animals to form a trio, each ape performing on a different instrument; and in order that the picture should be correct, Goliah called two of those who were playing for the dancers to range themselves on either side of his late master.

Thus behold the youth whose proudest boast had been that he could train any animal, however ferocious, seated between two enormous baboons, strumming on a banjo as if his very life depended upon the amount of noise produced.

It is not necessary to say that this was no enjoyment to him; but it certainly was to the remainder of the party, and they grinned and chattered their approbation of the scene, while the one who had first started the sport stood directly behind the musician, armed with a long stick.

The unfortunate captive jangled the strings without[137] regard to harmony, and fondly fancied that this was the lowest humiliation he would be forced to bear. But his genial captors had a different opinion regarding the matter.

One of the party whom Philip had taught to climb a pole now seemed to enter into conversation with Goliah—who shall say that apes cannot talk?—and a few moments later he and two others left the apartment.

Philip was playing industriously to save his back from the shower of blows which descended at the slightest diminution of noise, when the three animals returned with a long, stout pole, and the musician dropped his instrument, literally dazed with fear and bewilderment, for now he understood what further sport he would be expected to make for the entertainment of this long-tailed party.

Was he to be called upon to perform every trick which had been taught in his emporium of wild animals? If such should prove to be the case, three days would hardly suffice in which to display all the varied accomplishments he had prided himself upon teaching, and in that time his exertions might prove fatal.

Cold streams of perspiration ran down his face, although the ball-room was far from being warm, at the bare idea of the brutish part he was called upon to perform.

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