Who stands so high that he may never fall,
Who lies so low that he may never rise?
The lowliest may one day win life's prize,
The highest thro' temptation lose his all.

Beaumont was a man who neglected no chance, however small, by which he could benefit himself; consequently thinking if he discovered Squire Garsworth's secret it might prove of use to him, he determined to find out all about it. He knew perfectly well that no power of persuasion would lead the madman to divulge his thoughts, so the only chance of discovering anything was to reduce him to a mere automaton, perfectly powerless in his hands. This he hoped to do by means of hypnotism, of which curious process he knew a good deal.

While in Germany, some years before, he had by accident come across Heidenheim's book on animal magnetism, which interested him so much that he pursued the subject. After reading the opinions of Grützner, Berger and Baumler on hypnosis, he turned his attention to French authorities, eagerly following the history of animal magnetism from Mesmer and Puységur downward, and led by such studies to try his hand on subjects, he became quite an adept in this strange psychological science. Taking it up at first merely as an amusement, on going deeper into the subject he soon saw that such hypnotic power would be a terrible weapon in the hands of an unscrupulous man, as, by reducing the hypnotised person to the condition of a mere instrument, it enabled him to do acts through such instrument for which he himself could not be held legally responsible.

In a book on the subject by MM. Demarquay and Giraud Teulon, entitled "Recherches sur L'Hypnotism," he had come across a case in which a lady in a condition of hypnotic hallucination began to tell aloud secrets which compromised her exceedingly. Taking this case as an illustration of what could be done during hypnosis, Beaumont determined to throw the Squire into a cataleptic trance, and by questions or suggestions lead him to reveal his secret. This being done, he could restore him to his normal condition, absolutely ignorant of his revelation, and he thought if the secret were worth anything, he could then do what he pleased.

Having thus definitely settled his plan of action, the next step to take was to guard against the possibility of Nestley surprising him in any of his hypnotic experiments, with which, as medical attendant of the Squire, he would have a perfect right to interfere. Although Nestley had become much more friendly with Beaumont, he still regarded him with a certain amount of suspicion, so the artist's aim was now to reduce him to the state of subjection in which he had been in London five years before.

He knew Nestley was a very clever man, but remarkably weak, and likely to be led astray. In London, under the influence of drink, he had been a slave to Beaumont, and here in Garsworth the artist determined to reduce him to a similar state of slavery. Never for a moment did he think of the clever brain he would destroy, or the life he would wreck--all he wanted was the assistance of the young doctor in certain plans beneficial to himself, and, at whatever cost, he determined to carry them out. Beaumont, as a matter of fact, had in him a great deal of the Italian Despot nature as described by Machiavelli, and with cold, relentless subtlety, set himself to work to ruin the unhappy Duncan Nestley body and soul for his own ends.

Nestley was doubtless weak to allow himself to be so dominated, but unhappily it was his nature. If Nature endows a man largely in one way, she generally deprives him of something else in equal proportion, and while Nestley was a brilliant, clever man, who, if left to himself, would have lived an honest and creditable life, yet his morally weak nature placed him at the mercy of any unscrupulous scoundrel who thought fit to play upon his feelings.

Unhappily, circumstances aided Beaumont's nefarious plan, for after leaving Una the young doctor walked across the common to the village, hoping to pull himself together by a brisk walk.

At the bridge he found Beaumont leaning over it, looking at the water swirling below, and on hearing footsteps, the artist looked up with a gratified smile as he recognised his victim.

"What's the matter, Nestley?" he asked after the first greetings; "you don't look well."

"I'm not well," retorted Nestley abruptly; "I'm nearly worn out by that old man--morn, noon and night I've got to be beside him--if he's paid me handsomely he's taking his full value out of me."

"Yes, I think he is," replied Beaumont deliberately, "you look quite thin--not the man of three weeks ago. He must be a kind of medi?val succubus living on the blood of young men. It would be wise for you to leave him."

Nestley leaned his chin on his folded arms, which were resting on the parapet of the bridge, and sighed deeply.

"No--I can't do that."

"Oh! I understand," said Beaumont with a sneer, beginning to smoke one of his eternal cigarettes.

"What do you understand?"

"Why you won't leave the Grange."

"There's no difficulty in guessing that," retorted Nestley angrily, "my medical---- What the deuce are you grinning at?"

"You, my friend," said Basil smiling, "your medical--what!--honour--knowledge--interest--what you like."

"Don't talk rubbish."

"As you please."

"Look here," said Nestley, turning round with a resolute frown on his haggard face, "what is the reason I don't leave the Grange?"

"Not being in your confidence I can't say, but if I may guess, I should think Una Challoner."

Nestley made a gesture of assent, and turned once more to gaze moodily at the grey waters of the river.

"If I only had the courage," he muttered harshly, "I would throw myself into the water and end everything."

"More fool you," remarked Beaumont cynically; "men have died from time to time, and worms have eaten them, but not for love. Don't give Rosalind's remark the lie."

"I've no doubt she loves someone else," said Nestley bitterly.

"I've no doubt she does," replied Beaumont tranquilly, "but you seem quite worn out between love and sickness, so come with me to the inn and have something to eat."

"I don't mind," said Nestley listlessly, "but I can't eat a thing."

"Don't give way so easily, my dear fellow," said Beaumont scornfully, as they walked along; "be a man, not a baby."

"You're not in love."

"True, oh king; but I've had the disease badly enough--it's all dead and done with now. I've left Venus for Plutus, and I think Mercury, the god of tricksters, has some of my worship."

Dr. Nestley made no remark, being occupied with his own sad thoughts, so Beaumont said nothing more, and they walked along to the inn silently. On arriving there they went into the parlour, and Nestley took his seat near the window, staring idly out at the dusty road, while Beaumont ordered a slight luncheon, and a bottle of champagne.

Job Kossiter's idea of wine was a very vague one, as he himself habitually drank beer, but in deference to Beaumont's wishes, he sent over to Duxby and obtained a few dozen cases of champagne, whose excellence satisfied even the fastidious artist. The table being laid and the luncheon brought in, Beaumont filled two tumblers with champagne, one for himself, and the other he placed by Nestley's plate. The young doctor, being wrapped up in gloomy thought, did not perceive this, and, when he took his seat at the table, had no idea that the glass at his elbow contained wine instead of water. He tried to eat two or three mouthfuls of food, but not succeeding, took up the glass to drink, and so preoccupied was he that it was not until he had swallowed a mouthful that he perceived what it was. Replacing the glass on the table immediately, he glared angrily at Beaumont, who, feigning not to observe his annoyance, went on eating his luncheon with great enjoyment.

"Why did you give me champagne?" asked Nestley harshly. "You know I only drink water."

"I know you're an idiot," retorted Beaumont coolly, "and don't know what's good for you. In your present state of health a glass of champagne will do you no harm."

"............